Jenny Davis
224 artworks

Melbourne, Victoria. Australia., Australia
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Artwork Description

Mixed Media on paper

Signed certificate of authenticity.

This artwork comes with an external frame

VM 10711 Paris

Artwork Exhibitions
2016  Wallmatter The Memo, Curator Jade Bitar. Regional Exhibitions, Vic. Australia.

ABOUT
Aerial view above the Metro railway system in Paris, France.
A play with materials to create new visions, by dissecting vintage paper fragments and line.
(Artwork is matted with an acid free matte frame. Ready to frame)

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Medium

Vintage found paper, aged paper, graphite & copic pen, ink on acid free cartridge on 300gsm watercolour paper. (Artwork is matted with an acid free black matte frame. Ready to frame) SIGNED & DATED by artist on the front.

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Framed

This artwork is currently framed.

It comes with an external frame.

Framed dimensions - 53.0(W) x 39.0(H).

Artwork dimensions - 50.0(W) x 35.0(H).

More art from Mixedmedia Collag... series

Aerial view above the Metro railway system in Paris, France. A play with materials to create new visions, by dissecting vintage paper fragments and line.Abstract darwing created with ink , copic pen. like a map and earial view. Pices of vintage a coloured papers.A large abstract artwork on paper. Collage and drawing. Aerial view above Galleries Lafayette in Paris, France. As seen above, over land and seas.... I create new visions, by dissecting vintage paper fragments.

All art by Jenny Davis

Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my artLayers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In making this piece, I immersed myself in a process of creative abandonment, combining splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics. Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In making this piece, I immersed myself in a process of creative abandonment, combining splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics. Sitting beside the Seine river in Asnieres, Paris, France. The creation of order out of chaos and the eventual return to randomness. The antique collage elements, create a textural play with ink blots and stains that tell a story. It's an abstract embrace of vintage aesthetics that speaks of time’s touch on memories. A contemplative piece that invites the viewer to explore the layers of emotion and history threaded within its fibers.
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