Kinga (Saltwater Crocodile) 5333-17

Verified Artist Signed Certificate of Authenticity
A$830

Artwork Details

Medium Acrylic, Paper (Requires Framing)
Dimensions 76cm (W) x 51cm (H) x 0.5cm (D)
Review Stars 21,229 Customer Reviews

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Artwork Description

Jeremiah has painted Kinga, the saltwater crocodile (Crocodylus porosus) which is a highly respected and feared animal, associated with many Dreaming sites in Arnhem Land. In the past it was also hunted for food. Kinga can travel in salt water or fresh water, and often travel long distances between river systems. Kinga make their nests in the long grass or forest areas close to rivers, billabongs and water holes. These are piles of mud and vegetation where they lay their eggs. They are very aggressive around their nests. Kinga are often depicted alongside their prey such as namarnkol (barramundi).

Kunwinjku art is part of the oldest continuous art tradition in the world. Ancestors of today’s artists have been painting the rock walls of West Arnhem Land for tens of thousands of years. The traditional palette of white, red, yellow and black comes from the ochre that naturally occurs in the region, although contemporary artists sometimes choose to paint in acrylics as well. Kunwinjku artists famously paint using either the traditional rarrk hatching technique, or the more contemporary and complex cross hatching technique which has been adapted from ceremonial painting. These lines are painted using a manyilk, which is a piece of sedge grass shaved down until only a few fibres remain.

Artists at Injalak Art Centre have been painting on Arches 640gsm handmade watercolour paper since it was introduced as a medium by American art collecter John W. Kluge in 1990 when he commissioned a suite of paintings for the Kluge-Ruhe Collection at the University of Virginia, USA. It is archival quality and has an organic texture that mimics the natural surface of bark, making it an excellent alternative in West Arnhem Land where trees suitable for bark harvesting are much sparser than other areas of the Top End of Australia.

This painting needs to be framed. It’s also being sent direct from the artist at a remote art centre, Injalak Arts, in the top end. Please note there is only one mail plane a week that takes the artwork to Gunbalanya. The tracking information is then received a week later when the mail plane returns so often the paintings are delivered before we receive the tracking information. Please expect a slightly longer wait for this very special artwork to arrive.

Artist Bio

Jeremiah learnt to paint sitting beside his maternal Grandfather, Bob Bumarda and his contemporaries. Jeremiah says he was about ten when he started sitting with his grandfather and listening to his stories as he painted. Bob Bumarda also taught Jeremiah how to collect lorrkon and dollobo and prepare them the right way.

Jeremiah’s work is characterised by incredibly fine and precise rarrk. He paints stories from his country, Mankungdjang, his mothers county at Kudjekbinj and also stories passed to him by his grandfather. Jeremiah has been painting at Injalak since the art centre opened in 1989 and has been involved in many group exhibitions.