Strangle Vine

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A$4,580

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Artwork Details

Medium Mixed Media, Glass
Dimensions 27cm (W) x 47cm (H) x 21cm (D)
Review Stars 21,258 Customer Reviews
Original Artwork
This artwork is one of a kind!
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Estimated Delivery Time from SA

Saturday, Jun 20 - Monday, Jun 22

Artwork Description

Inspired by the majestic Morten Bay Fig which, as it thrives, becomes the doom of its host tree. A prolonged demise carried within a small seed, the Morten Bay Fig begins its life as a seed rained down from above by unwitting birds, often dropping harmlessly to the forest floor only to die of exposure. However, a single seed, finding a fertile crevice within the canopy of a host tree, germinates and grows into the enveloping embrace of a living cage. The tree within perishes but the strangling vine lives on with blue sky peeking between each twisting branch.

Artist Bio

Jessica Murtagh is an Adelaide based early career artist working with blown glass. Having recently completed a Master’s in Design (Contemporary Art) from the University of South Australia, her practice is currently based out of JamFactory Contemporary Craft and Design. Jessica’s arts practice leans heavily on illustration, using sandcarving and engraving techniques to create imagery and narratives on glass. Her work is predominantly in the form of vessels, which are both functional and sculptural, ranging from vibrant and dramatic to subdued. She draws inspiration from both the natural world and classical artefacts, contrasted with contemporary themes.

A lifelong love of botany sees much of Murtagh’s work inspired by the natural world. Her botanical work endeavours to capture the beauty of nature within the luminous surface of hand crafted blown glass. Jessica’s narrative work is inspired by antiquities from past societies such as the ancient Athenians. Artefacts made of stone, ceramic, metal and glass give glimpses into the stories of their lives, from godly deeds to tableaus depicting everyday moments. Illustrations of the common, mundane scenes of ordinary people are of particular influence on Murtagh’s body of work and a fascination with history and ancient relics has led to exploration of what future artefacts could be, and to question what our contemporary culture will one day leave behind.

She has exhibited in numerous prizes and exhibitions around Australia. Her work is currently on display at the National Gallery of Victoria for the Triennial and was recently awarded the second prize in the inaugural Make Award. Jessica’s work is held in a number of private collections, and was recently collected by the Geelong Gallery, the Powerhouse Museum, the National Gallery of Victoria, Parliament House Art Collection and the Hamilton Art Gallery.

Commissions

Jessica's studio is in Adelaide