Painting by Joel Lambeth 6 Artworks Sold

Cognitive Dissonance

Mixed Media, Wood, Ready to hang

20cm (W) x 20cm (H) x 3.5cm (D)

Certificate of Authenticity Included

Complete Your Piece With A Wood Frame

A$350

Arrives 17–19 Sep

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Artwork Description

Collage on wood panel
200mm x 200mm
2024
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Overstimulated? Over it.
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Cognitive Dissonance is a glossy glitch in the system — where motivational posters meet neural overload and the feedback loop never sleeps. Ideas buzz like flies, a hemispheric tug-of-war between logic and impulse. On one side: boardroom swagger, corporate teeth, perfect posture. On the other: blinking cursors, tangled neurons, and a brain that’s had just about enough.
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This is Paperpunk circuitry: hand-cut magazine fragments spliced into a sensory logjam and sealed beneath coats of gloss varnish. Nothing's random. Everything’s wired. Would you like to reboot?
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Exhibited in CONTENT at Braemar Gallery (Springwood, NSW, 2024), Cognitive Dissonance is both artefact and alarm — a saturated snapshot of the human mind, brought to you by tonight's sponsors.
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Wired and ready to hang.

Artist Bio

For the last 30 years I have been making physical, analogue, hand-cut collage art using only found materials.

That is an important distinction to make. When sourcing materials my work I do not use any form of reproduction, copying or digital manipulation in any way. All of the elements, all of the images that I use in my artworks, have been collected from the pages of magazines, books and comics, or from other printed materials like pamphlets, posters or flyers. A large part of the process of creating these pieces lies in the collection of the components. That is the thrill of the hunt; looking for the right pieces to fit together in order to create these compositions. Once found, the images are then hand cut from the page, most often with the use of scissors.

Once the materials have been collected and the collage has been constructed, my artwork then undergoes a process of varnishing, which not only give the collage a nice finish but also vastly improves the permanence of the item. All of the work that you see here has been treated with many layers of varnish and then buffed to a smooth finish. I often complete these artworks with a glossy top coat that gives each piece a shiny lustre that greatly enhances the vibrancy of the colours.

My studio is in the Blue Mountains west of Sydney, on Dharug and Gundungurra country.

Commissions

Joel's studio is in Blue Mountains, NSW