Painting by Joel Lambeth 6 Artworks Sold

Domination

Mixed Media, Wood, Ready to hang

20cm (W) x 20cm (H) x 3.5cm (D)

Certificate of Authenticity Included
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Artwork Description

Collage on wood panel
200mm x 200mm
2024
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The globe is melting. The signal is scrambled. The system β€” confident, curated, and entirely manmade β€” is running exactly as designed.
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Domination stares power dead in the eye. Composed from hand-cut imagery sourced from glossy magazines β€” tech manuals, fashion spreads, geopolitical diagrams β€” this collage distils systems of power into a sleek, tightly composed visual map. A steely gaze cuts across a control panel of outdated optimism: a yellowing map drips over legacy hardware, while icons of cognition and command flicker through fields of static design.
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Constructed on a timber panel and finished with multiple coats of high-gloss varnish, this original artwork hums with Paperpunk tension β€” analogue materials spliced into a digital-age artefact. A relic. A warning. A fashion shoot inside the control room.
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Exhibited in CONTENT at Braemar Gallery (Springwood, NSW, 2024).
Wired and ready to hang.

Artist Bio

For the last 30 years I have been making physical, analogue, hand-cut collage art using only found materials.

That is an important distinction to make. When sourcing materials my work I do not use any form of reproduction, copying or digital manipulation in any way. All of the elements, all of the images that I use in my artworks, have been collected from the pages of magazines, books and comics, or from other printed materials like pamphlets, posters or flyers. A large part of the process of creating these pieces lies in the collection of the components. That is the thrill of the hunt; looking for the right pieces to fit together in order to create these compositions. Once found, the images are then hand cut from the page, most often with the use of scissors.

Once the materials have been collected and the collage has been constructed, my artwork then undergoes a process of varnishing, which not only give the collage a nice finish but also vastly improves the permanence of the item. All of the work that you see here has been treated with many layers of varnish and then buffed to a smooth finish. I often complete these artworks with a glossy top coat that gives each piece a shiny lustre that greatly enhances the vibrancy of the colours.

My studio is in the Blue Mountains west of Sydney, on Dharug and Gundungurra country.

Commissions

Joel's studio is in Blue Mountains, NSW