Artwork Description

Oil on wood, ready to hang.

Signed certificate of authenticity.

This artwork comes with an external frame

About twenty years ago at an auction in Sydney, there was a large and heavy early 18th Century baroque frame with a broken mirror in it. The mirror was a more recent addition and the overall
weight must have caused the whole thing to fall off the wall. I could not resist this opportunity
after years of regret at having refused a magnificent frame while in the Netherlands from the
hunting pavilion of Queen Wilhelmina. Some restoration was needed as it was ornately created from nearly 300 year old plaster, but with a little time, patience and money we brought back some of its former glory. As we worked on the frame, I started to make sketches and designed a composition which would complement its characteristic and also highlight where I was at in my career. I am extremely happy with the painting and it has hung for years in one of our biggest rooms. It is definitely the family favorite but we now all agree it’s time to see if anyone else has the room to be its custodian.

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Medium

Oil - on parketared masonite #1555

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Framed and ready to hang

This artwork is currently framed and ready to hang.

It comes with an external frame.

Framed dimensions - 220.0(W) x 155.0(H).

Artwork dimensions - 180.0(W) x 125.0(H).

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All art by Jos Kivits

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination. A painting of this calibre is and always will be an eye catcher when people realise it has not been created with shortcuts and tricks, but genuinely by discipline and artistry without smoke and mirrors. It is a work I cannot get away from as it is in my soul to paint what every eye can see without the help of any kind of trickery or Painted in 2005 and several times perfected and varnished over the years. This very work has never been exhibited, although one similar depicting different objects was revealed in Jos’ 2018 exhibition.

The style and technique is considered ‘Classical European’ and first exposed to Australia by some well-known earlier artists like Hans Heysen, Arthur Streeton, & Besie Davidson.
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