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Artwork Description

Oil on wood, ready to hang.

Signed on the front.

This artwork comes with an external frame

Regularly I want to paint seascapes, but of late the inspiration is tainted by the tumultuous world we live in. Going back in time, there were other pressures of life as seen in the painting where a ship have to leave a harbor regardless of the weather if they wanted to have food on the table for their families back home. Time was of the essence in order to get the best price for their merchandise, If your ship came in later your cargo could be worth much less. This period was the mid 1800's and the vessels were constantly upgraded to go faster, competing with the other seafaring nations. It's a big painting that will dominate the room, and its dramatic picture will draw much attention. Children in particular are fascinated with the theme. If you like this one could you please leave a 'like' or share it on your face-book? Thank you.

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Medium

Original oil painting on marine-ply panel, withthe finest pigments and ancient recipe of medium.

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Framed and ready to hang

This artwork is currently framed and ready to hang.

It comes with an external frame.

Framed dimensions - 137.0(W) x 91.0(H).

Artwork dimensions - 122.0(W) x 76.0(H).

#Ship on shoppy waters, #leaving the harbor, #original oil seascape, #big seascape of a tall ship, #near a harbor, #gray, #light blue

All art by Jos Kivits

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination. A painting of this calibre is and always will be an eye catcher when people realise it has not been created with shortcuts and tricks, but genuinely by discipline and artistry without smoke and mirrors. It is a work I cannot get away from as it is in my soul to paint what every eye can see without the help of any kind of trickery or Painted in 2005 and several times perfected and varnished over the years. This very work has never been exhibited, although one similar depicting different objects was revealed in Jos’ 2018 exhibition.

The style and technique is considered ‘Classical European’ and first exposed to Australia by some well-known earlier artists like Hans Heysen, Arthur Streeton, & Besie Davidson.
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