Landscaping is a triptych of multiple-exposure photographs of the Australian landscape produced during a Bundanon Trust artist residency in 2019. Each photograph is a blend of five exposures merged in camera by an algorithm that removes the darker parts of the source images. While it resembles a landscape, the resulting picture is fictional and unlike the actual place I photographed. Bundanon is a layered site — Aboriginal Country, European farmland, cottage retreat, artist residence — that has undergone several transformations over the years. It is a controlled and landscaped environment that reminded me of the experience of being a photographer — selecting and composing things to make them fit into a pretty picture. In an attempt to reset my expectations about what I saw I chose to let the camera be guided by chance, pressing the shutter button at random and hoping to generate a less constructed, and perhaps more honest, image of the land. The work consists of three prints, each measuring 72cm x 49cm (overall size 220cm long and 49cm high unframed), and would be best displayed on a long strip of wall in three separate frames.