This work has an ethereal quality, that isn't captured in the photo.
It's a small work but really does stand out.
An ocean landscape once seen and then imagined.
The artists latest body of work:
In an effort to make sense of it all during this year, with more time available in the studio,
the artist spent time exploring, existing techniques gaining inspiration from every day objects around the home during the lockdowns. The therapy in this process offered great comfort.
Eventually, bringing all the focus onto the minute detail of the Banksia flowers she had been using in her work. Each mark and brushstroke evolved from this focus, the brush strokes took on the shape and form of the tiny flowers that make up the uniquely beautiful banksia.
This and her continued passion for a lifetime of craft, warm knits, crochet and embroidery and the individual stitches that build up over time working on such projects, and the textures and colours of the textiles and materials used inspired her to expand on this body of work and play with the shape and form of these brushstrokes.
The works in this series are derived from a process of experiments.
Each mark is painstakingly added to a backdrop of layered paint, taking the work in a completely different direction to it's original format. This achieves a texture and movement over the canvas that is as mesmerising as the process is itself.
The abstract composition takes on a landscape of it's own. This work references an ocean landscape full of purples, Lilacs, pinks and greens, shadows and lights.
It is signed on the back to give the collector the option to change the orientation.
The quantity of marks on each canvas is a symbolic reference to the amount of people impacted by the events of the last 2 years regardless of how they are impacted they each have significance.
This work is unframed and the 3.5cm edges are painted in a transparent deep purple finishing is off so that it does not necessarily require framing.