Layers of Time draws on the visual language of sedimentary strata to explore how moments accumulate and leave their mark. The work considers history not as a single event but as a slow build‑up of decisions, shifts, and eras pressing against one another. The subdued palette carries this sense of depth and gravity, suggesting a surface shaped by what lies beneath.
The horizontal bands echo geological formations, with each layer hinting at a change in conditions or a trace of what once was. In the studio, the painting becomes its own form of sedimentation: gestures, revisions, and veils of colour building upon each other until only the most recent moment remains visible.
My practice is grounded in this idea of accumulated history. Through abstraction, I build surfaces that hold depth, complexity, and the quiet influence of everything beneath them.
The artwork is unframed and comes with wire and d-rings ready to hang. The painting continues over the sides so framing is not required. The artist's name is on the front, signed and stamped on the back, and comes with a signed Certificate of Authenticity.