Providence

When situations or people are saved or assisted by unexpected events, beyond all human probability and expectation, some like to call it "Divine Intervention" - that God's will had some hand in it.  Others say it can be explained by a mathematical algorithm or theory.

Regardless of ones beliefs, I have found Providence serves as a positive notion to make a mental shift forward in life.

The peonies are symbolic of a healing force come to save the day.  I love the association of the fragility of flowers as well as their resilience that the human flesh have in common.

This surrealist work is painted in oils on deep canvas.

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My formal art training began at Queensland College of Art studying Visual Communication and Graphic Design as well as filmmaking. I later won a scholarship at the Australian Film and Television School and pursued a filmmaking career for 18 years and finally returned with a passion for visual arts.
During my art/painting practice in these past 30 years I have experimented with many mediums and in all genres, but what continues to hold my interest and where I consistently revisit is the landscape and objects within the landscape. I also like to explore the concept of dual worlds where order and chaos compete with each other - where the representational morphs into elements of abstraction.
A lot of my figurative landscapes are allegorical set against sweeping abstracted skies which set the stage for the drama to unfold. My work practise finds my doing a lot of research and preliminary paint sketches and the ideas may come from a piece of poetry, mythology, ancient history or from my own photography. In recent years I have been preoccupied with 18th century Baroque and Rococo eras.
I have been fortunate to have been selected as a finalist in the National Still Life Art Prize for the past 6 years as well as winning landscape and portrait awards in the Coffs Harbour and Sawtell Art Prizes over the past 12 years. In 2019 my painting was featured in the Television Series, The Block.