Galaxies as captured by space telescope Galaxies as captured by space telescope — shown in a room setting Galaxies as captured by space telescope Galaxies as captured by space telescope — artist's signature Galaxies as captured by space telescope — edge view Galaxies as captured by space telescope — detail
Sold
Galaxies as captured by space telescope
Galaxies as captured by space telescope — shown in a room setting
Galaxies as captured by space telescope
Galaxies as captured by space telescope — artist's signature
Galaxies as captured by space telescope — edge view
Galaxies as captured by space telescope — detail
Painting by Keren Tova Rubinstein 58 Artworks Sold

Celestial map

Acrylic, Wood, Framed by Artist

87cm (W) x 61cm (H) x 1cm (D)

Signed Certificate of Authenticity
A$440

Artwork Description

This painting of space includes some major landmarks (space marks?) , nebulae we've come to know as the outer limits of our universe. Is this where we all end up? Pretty space dust?
I like painting on found surfaces and this framed painting still shows the rivets from its original function (see detail).
The painting has a smooth satin finish and comes with a black plastic A1 frame.

Artist Bio
Photo of Keren Tova Rubinstein
Keren Tova Rubinstein 187 artworks | 28 Sold

I am a multi media artist born in Haifa, in Occupied Palestine. I paint, draw, and make abstract paper collages from hand-cut magazines. I like abstracts: geometric patterns, colour transitions and chaotic arrangements. This extends to my love for painting 'backgrounds', which have become nebula paintings. I like sparkles, kitsch, pretty scenes and figures but especially when accompanied by jarring detail. This is self reflexive romantic projection. When collaging, I love the way I can never run out of material to cut up, with lots of luscious detail and random words. This kind of cut-and-paste is always giving me new ideas. The other side of the piece of paper is often just perfect. My gallery reflects a fixation with maximalism, patterns , and colour transitions, whether in acrylic or in paper mosaic, or both.