4.8 21,720+ Bluethumb reviews

Opals

Mixed Media, Wood, Ready to hang

51cm (W) x 63cm (H) x 1cm (D)

  • Original · Handmade
  • Signed by the artist
  • Curators’ Pick
Keren Tova Rubinstein Verified artist
Naarm
59 works sold

Complete your piece with a wood frame

Recommended

Natural is our curators’ preference. It adds warmth without announcing itself, keeping the artwork the focal point.

Artwork only · unframed

A$540

Unframed

Secure checkout
  • Visa
  • Mastercard
  • American Express
  • PayPal

Arrives 10 to 12 Nov

Free tracked, insured shipping Australia-wide.

Packed by the artist and sent to your door.

7-day trial at home

Hang it, live with it, see it in your own light. If it isn’t right, tell us within 7 days of it arriving and we’ll arrange collection.

  • Free return shipping, Australia wide
  • Full refund if the work isn’t right for your space, including framing
  • Fully insured, both ways

Fair use terms apply.

  • Original
  • Handmade
  • The Only One
Bluethumb Art Curators Free Available now
Speak to our Curators
Get professional advice now

Unsure about this piece? Get free advice on sizing, framing, and how it'll work in your space.

1800 987 291

Artwork Description

Based on a traditional quilt pattern, this collage was inspired by the colours of opals. I loved making this piece, utilising all of my favourite colours and creating a dreamy landscape that tricks the eye with its shifting light. It's part of my ongoing obsession with mimicking crystals in three dimensional geometric collage made from used magazines.

Artist Bio

I am a multi media artist born in Haifa, in Occupied Palestine. I paint, draw, and make abstract paper collages from hand-cut magazines. I like abstracts: geometric patterns, colour transitions and chaotic arrangements. This extends to my love for painting 'backgrounds', which have become nebula paintings. I like sparkles, kitsch, pretty scenes and figures but especially when accompanied by jarring detail. This is self reflexive romantic projection. When collaging, I love the way I can never run out of material to cut up, with lots of luscious detail and random words. This kind of cut-and-paste is always giving me new ideas. The other side of the piece of paper is often just perfect. My gallery reflects a fixation with maximalism, patterns , and colour transitions, whether in acrylic or in paper mosaic, or both.

Commissions

Keren Tova's studio is in Naarm