Travelling III Ed. 3 of 20

Travelling III is part of the series titled 'Persistence of Vision' which explores the history of heritage buildings in Fremantle, WA. This series incorporates photography, drawing, painting and digital processes to created layered effects that tell the story of the building's creation, occupation, evolution and decay since the 1800s. In this work I have paired the image of an antique travelling trunk with a modern day photo taken at the Moore's Building which was once a residence and warehouse and today houses an art gallery and a bustling cafe. Many of those who migrated to Fremantle by ship during the 1800s travelled from the other side of the world with nothing but a single trunk containing the most basic essentials for a new life.

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Artist Statement

I have been a practising figurative oil painter since graduating from ECU with a B.A. Visual Arts (major in painting) in 2003. I use traditional multi-layered glazing techniques and am drawn to subjects that reflect my passion for lighting, allegory and mood.

My long-time fascination with fire, smoke and atmospheric landscapes began when living in the WA Wheatbelt. Stubble burns are used annually, prior to seeding, to remove past crop remnants, pests and unwanted seeds. Fire is both a constructive tool and a destructive force and I enjoy considering this duality together with the human desire to control our environment.

My paintings address the push-pull effect of fire by enticing the viewer in with soft, semi-abstract, shifting pastel colours juxtaposed with strong blackened earth shapes and occasional flame details.
Through my work I am looking to share my appreciation for the beauty and fear invoked by natural world and promote an acceptance of our humble place within it.

I currently work out of my studio in Albany WA where I am creating a new series or landscape paintings. I also take on commissions and run occasional painting courses.

Recent achievements include winning the 2017 Bluethumb Art Prize, 2015 City of Stirling Print Award, the 2013 Albany Art Prize People’s Choice Award, and placing as a national finalist in 2018 Collie Art Prize, 2013 Black Swan Prize for Heritage and the 2012 Black Swan Prize for Portraiture. Works are held in various private and public collections.