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About

Amanda Krantz is an Australian artist whose work has been informed by residencies in Japan, Thailand and Tasmania. Her practice is an exploration of materials, science and nature, and image making. She completed her Bachelor of Visual Arts at Queensland University of Technology in 2001, and has since continued study at the University of Melbourne solely to inform her arts practice.

Her most recent achievements include being selected and commissioned to create 10 large paintings for Peter Millard & Partners in London. She was also recently one of thirty painters worldwide to take part in ‘Premio Combat’ in Livorno Italy, was a Saatchi Online‘Back to Nature’ finalist, and a finalist in the prestigious Clifton’s Art Prize.

Krantz’s most recent solo show ‘Plasmo’, held in 2015 at the GallerySmith in Melbourne, was an exploration of alien yet eerily familiar forms and landscapes. Other solo shows include ‘Hypnagogia’ at the Angela Robarts-Bird Gallery in Melbourne, Graydon Gallery and Percolator Gallery in Brisbane, and she has been involved in group exhibitions worldwide including Time Square in New York city, and in the Museo Di Storia Naturale in Italy.

Current Artist Statement:
I think of my work as organic-psychedelia. They are familiar representations of ecology, but not quite of this world. My process is underpinned by a playful exploration of materials, and questions the role of painter in painting creation. The method of paint delivery to canvas, in random pours, throws and squirts, employs nature to mimic nature. The natural fluidity and reactivity of paint mixtures, is itself alive in it’s own ability to move and mix, playfully creating chaotic patterns and diacritic effects. I often act merely as a facilitator, allowing the paint itself to capture the essence of time and place. It’s a scientific process, executed organically, creating science fictional landscapes and quasi-alien life

Education

2000 Bachelor of Visual Arts‚ QUT (Queensland University of Technology)

Exhibitions

2017 Public Commission, The Ritz Carlton, Puerto Rico; 2017 Commission for Renaissance Plan (Presidential Suite), Texas, USA; 2016 Public Commission for Ovation of the Sea, Royal Caribbean Liners; 2016 Finalist Bluethumb Art Prize; 2016 Finalist Noosa Art Prize, Noosa, Australia; 2016 'Gelato' Traffic Jam Gallery, Sydney; 2015 Japan, Kyoto residency with Master Ukiyo-e, 2015 'Plasmo' (solo) GallerySmith Project Space, Melbourne; 2014 Premio Compat Prize Finalist, Livorno, Italy; 2014 'Premio Combat' Museo Di Storia Naturale & Museo Civico G.Fattori, Livorno, Italy 2014 'Hypnagogia' Gasworks Arts Park, Albert Park, Melbourne; 2014 'The Comfort Zone' Midsumma Festival, Gasworks, Melbourne; 2013 RAW Translations, Melbourne; 2013 Saatchi Online Finalist 'Back to Nature’; 2012 'Art Takes Time Square', New York City; 2012 Clifton's Art Prize Finalist; 2012 ‘Rickshaw madam?’ Graydon Gallery, New Farm, Brisbane; 2012 Residency ComPeung Artist Village, Doi Saket, Thailand; 2011 Highly Commended, Gainsborough Greens, Gold Coast; 2011 ‘Garden Variety’ Percolator Gallery, Paddington, Brisbane; 2010Artist in Residence, December, Borders, Brisbane City.

Press

The Magical Amanda Krantz in Molten Store, by Jessie Cameron, March 2016
Unveiling Contemporaries by Petra Nicel‚ March 2015
Another young painter worth her weight in gold Barbara Heath Wordpress‚ by Malcome Enright‚ september 2011
Strange Reactions Quest News‚ July 2012

Influences

Nature‚ science‚ fiction‚ science-fiction‚ art‚ artists‚ alchemy

152cm (W) x 95cm (H)
Print on archival rag paper
$1,250
130cm (W) x 70cm (H)
Acrylic and acrylic resin on canvas, float-framed in Victorian ash
$4,350
70cm (W) x 90cm (H)
acrylic and acrylic resin on canvas
$2,750
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