Artwork Description

GWYALA (Dingo Dreaming)
This is a dreaming story of a hunter, Gwyala, and his nephew Burrajum. Gwyala and Barrajum had trained two hunting dogs to chase the animals close to the camp to facilitate their capture. This story tells how the then mountainous country of Beaudesert became flat.
The dogs' names were Ningroongun and Barrajanda. One day, as they were out hunting, they chased the animals to the Logan territory and the dogs caught a kangaroo rat. They then sighted a kangaroo and were running towards him when two little girls saw the shadows of the dogs and told their people, who were camped nearby. The people tried to catch the kangaroo but the kangaroo jumped into a lagoon and turned into a warrazim (a mysterious water creature).
The men then chased the dogs and ran them into the nets, and so fiercely did the dogs fight that in trying to catch the dogs, the men killed them. Gwyala ran towards the commotion and, on finding that his dogs were dead, he cried. His nephew said "Don't cry, uncle. I will cut the vine." To cut the vine of the piccabeen tree was to make the rains come, and only certain people were able to do this.
The clouds gathered and the rains came and flooded all the creeks and the rivers, and this created a great flood which caused landslides and buried all the people of the tribe who killed the dogs. It rained heavily like this day after day and the landslides flattened all the mountains and when the rain cleared all that remained were hills and ridges.
In the meantime, Gwyala and Burrumjum took the dogs and buried them under win peaks east of Wollumbin (Mt Warning). Even afterwards these twin peaks were always known as Ningroongun and Barrajanda. To us they are now known as the Cougals.

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Medium

Mixed Media on stretched canvas

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#DINGO, # DREAMING, # GWYALA, # BEAUDESERT, # KANGAROO, # RAT, # LAGOON, # KUNJA, # FLOOD, # WOLLUMBIN, # Mt WARNING

As a member of the Indigenous Art Code Bluethumb is proud to have established direct partnerships with some of Australia's most respected First Nation's artists and art centres.

All art by Cynthia Farr Baruŋgam

Embracing Indigenous creativity is paramount in exploring Aboriginal art. To create this artwork, the artist meticulously selected vibrant colors to bring forth a dynamic visual experience. They incorporated layers of mixed media and Liquitex Soft Gel to enhance the overall aesthetic of the piece. The application of Liquitex Soft Gel served multiple purposes: it not only increased surface gloss, color depth, and transparency but also extended the color's reach without compromising the acrylic's stability. Moreover, it imparted an oil-like color to heavy body paint, enriching the texture and finish of the artwork.Immerse yourself in the timeless wisdom of Aboriginal art. I have created a stunning painting with vibrant colors. It has layers of acrylics mixed with Liquitex Soft Gel, which increases surface gloss, color depth, and transparency. Experience the timeless wisdom of Aboriginal art like never before! Behold my stunning painting, which boasts vibrant colors and multiple layers of high-quality acrylics expertly blended with Liquitex Soft Gel. This unique combination creates a mesmerizing surface gloss, unparalleled color depth, and brilliant transparency that will leave you in awe!Immerse yourself in the captivating universe of Aboriginal Art. This artwork features meticulously selected vibrant colors to deliver a powerful visual experience. It incorporates layers of Mixed Media with Liquitex Soft Gel to elevate the overall aesthetic. The application of Liquitex Soft Gel serves multiple purposes: it enhances surface gloss, color depth, and transparency, extending the color's reach without compromising the acrylic's stability. Additionally, it imparts an oil-like color to heavy body paint, enriching the texture and finish.
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