4.8 21,724+ Bluethumb reviews

Flame Robin (Etching)

Mixed Media, Paper (Requires Framing)

15cm (W) x 15cm (H) x 0.1cm (D)

  • Original · Handmade
  • Signed by the artist
Lydie Paton Verified artist
Adelaide
287 works sold

(Requires Framing)

A$180

4.8 · Free returns

Secure checkout
  • Visa
  • Mastercard
  • American Express
  • PayPal

Arrives 12 to 14 Nov

Free tracked, insured shipping Australia-wide.

Packed by the artist and sent to your door.

7-day trial at home

Hang it, live with it, see it in your own light. If it isn’t right, tell us within 7 days of it arriving and we’ll arrange collection.

  • Free return shipping, Australia wide
  • Full refund if the work isn’t right for your space, including framing
  • Fully insured, both ways

Fair use terms apply.

  • Original
  • Handmade
  • The Only One

Artwork Description

Part of the woodland bird series.

Male Flame Robins have a bright orange breast and throat, and are white on the lower belly and undertail. The top of their head and back is dark slate grey and there is a clear white stripe on the folded wing. The bill is black and the legs dark brown.

Flame Robins are found in a broad coastal band around the south-east corner of the Australian mainland, from southern Queensland to just west of the South Australian border. The species is also found in Tasmania.

Plate: 3 x 3 inches
Paper: 6 x 6 inches

Limited Edition of 10.

Artist Bio

Lydie Paton is a South Australian artist. Born in Adelaide, she initially completed a double degree in Architecture and Landscape architecture at the University of Adelaide. Her background in landscape design and an interest in environmental science underpin her selection of subject matter. She works in a variety of mediums including printmaking. Her paintings and etchings often have botanical or ornithological themes. Within these common themes the representation can be quite varied – sometimes more representational while at other times more abstract.

‘I find the creative process informs the direction a particular work takes and often something discovered during an abstract exploration goes on to inform some detail in a more representational piece.’
Lydie has been painting her whole life, but in 2013, she began formal studies in fine arts at the Adelaide College of the Arts. The exposure in this course, to diverse mediums, led to an interest in varied art making techniques and an enthusiasm for experimentation with materials. In 2015, Lydie spent two years in Toronto, Canada, studying printmaking and etching under the tutelage of Brian Hoxha. Since then, she has been producing aluminium plate etchings.

Lydie says of her practice; “I create compulsively. I have three young children and so finding time to paint is tricky, but I squeeze it in, because I can’t help myself. I have always loved oil paints, frustrating and messy as they can be, they have a particular quality and I’m drawn to the texture, the evidence of brush marks and the rich colour they bring to an artwork.”
Lydie has been painting and printmaking professionally since 2012 and has been a Bluethumb artist for over 10 years. Her artworks are hung all over the world, including the USA, Canada, the UK and Australia.

Commissions

Lydie's studio is in Adelaide