Picket Fence

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A$3,800

Artwork Details

Medium Oil, Canvas, Ready to hang
Dimensions 137cm (W) x 152cm (H) x 4.5cm (D)
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Artwork Description

Inspired by botanical shapes and shadows on the front fence.  The starting point for the piece was studying the reduced shapes created by shadows on a white fence. These large paintings always start out with two or three quickly applied layers of acrylic paint that outline an overall composition but can also be easily edited. Often these early layers are completely obscured in the final work and the colour palette can shift dramatically too. However often small parts of these base layers remain and help to build complexity and depth in the overall final piece.

Two or three layers of oil paint are then applied at a much slower pace and with intervals for drying and contemplation in between. These layers become increasingly thick and I have always found the quality of oils is impossible to emulate and they give a richness of colour, a lustre and texture that is unrivalled by other materials. 

This is a large bold painting and would make a striking feature in any space.   It has gallery wrapped edges (meaning the artwork continues around the edge of the stretchers) so it can be hung as is or framed.  

Artist Bio

Lydie Paton is a South Australian artist. Born in Adelaide, she initially completed a double degree in Architecture and Landscape architecture at the University of Adelaide. Her background in landscape design and an interest in environmental science underpin her selection of subject matter. She works in a variety of mediums including printmaking. Her paintings and etchings often have botanical or ornithological themes. Within these common themes the representation can be quite varied – sometimes more representational while at other times more abstract.

‘I find the creative process informs the direction a particular work takes and often something discovered during an abstract exploration goes on to inform some detail in a more representational piece.’
Lydie has been painting her whole life, but in 2013, she began formal studies in fine arts at the Adelaide College of the Arts. The exposure in this course, to diverse mediums, led to an interest in varied art making techniques and an enthusiasm for experimentation with materials. In 2015, Lydie spent two years in Toronto, Canada, studying printmaking and etching under the tutelage of Brian Hoxha. Since then, she has been producing aluminium plate etchings.

Lydie says of her practice; “I create compulsively. I have three young children and so finding time to paint is tricky, but I squeeze it in, because I can’t help myself. I have always loved oil paints, frustrating and messy as they can be, they have a particular quality and I’m drawn to the texture, the evidence of brush marks and the rich colour they bring to an artwork.”
Lydie has been painting and printmaking professionally since 2012 and has been a Bluethumb artist for over 10 years. Her artworks are hung all over the world, including the USA, Canada, the UK and Australia.