Painting by Lydie Paton 282 Artworks Sold

The Green Line (A)

Mixed Media, Canvas, Ready to hang

61.5cm (W) x 71cm (H) x 4cm (D)

Certificate of Authenticity Included
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Artwork Description

The Green Line is an exploration in layering colours and textures. The piece gradually builds up as colours are added and covered and revealed. The starting point was the application of thin layers of acrylic paint and water soluble oils. Then gradually thicker and more tectured layers of oil paint were added. Sand has been worked into the paint and impasto medium to create thick rough texture. Oil sticks have also been used to draw onto the piece to add colour and pattern.

The painting is on stretched canvas and has gallery wrapped edges so it can be hung as it is or have an external floating frame added. It has D-hooks and hanging wire attached so it is ready to hang.

Artist Bio

Lydie Paton is a South Australian artist. Born in Adelaide, she initially completed a double degree in Architecture and Landscape architecture at the University of Adelaide. Her background in landscape design and an interest in environmental science underpin her selection of subject matter. She works in a variety of mediums including printmaking. Her paintings and etchings often have botanical or ornithological themes. Within these common themes the representation can be quite varied – sometimes more representational while at other times more abstract.

‘I find the creative process informs the direction a particular work takes and often something discovered during an abstract exploration goes on to inform some detail in a more representational piece.’
Lydie has been painting her whole life, but in 2013, she began formal studies in fine arts at the Adelaide College of the Arts. The exposure in this course, to diverse mediums, led to an interest in varied art making techniques and an enthusiasm for experimentation with materials. In 2015, Lydie spent two years in Toronto, Canada, studying printmaking and etching under the tutelage of Brian Hoxha. Since then, she has been producing aluminium plate etchings.

Lydie says of her practice; “I create compulsively. I have three young children and so finding time to paint is tricky, but I squeeze it in, because I can’t help myself. I have always loved oil paints, frustrating and messy as they can be, they have a particular quality and I’m drawn to the texture, the evidence of brush marks and the rich colour they bring to an artwork.”
Lydie has been painting and printmaking professionally since 2012 and has been a Bluethumb artist for over 10 years. Her artworks are hung all over the world, including the USA, Canada, the UK and Australia.

Commissions

Lydie's studio is in Adelaide