'Not Telling' sits in the space between stillness and movement. The impasto is built up stroke by stroke, each scallop set down with intention, yet the surface keeps drifting, as if it's still settling. It moves the way light travels over water, shifting from deep to bright and back again. The palette cools right down here: cobalt, teal and sea green, with sage breaking through and navy pooling in the shadows between the marks. There's a quiet pleasure in watching hundreds of small gestures gather into one slow, breathing surface. Because the paint is so physical, it catches the light differently as the day shifts, so the work never quite holds still. It lives in the room with you.