"Peach Melba" sits in the space between abundance and order. The impasto is built up stroke by stroke, each scallop placed with intention, yet the surface never feels crowded, only full. It moves the way a garden tips into late bloom, warm and a little riotous but somehow still calm. The palette runs richer here: coral, raspberry and golden ochre, cooled by threads of sky blue, cornflower and mint. There's a quiet pleasure in watching so many small, separate gestures fold into one warm, humming whole. Because the paint is so physical, the surface catches the light differently as the day shifts, so the work never quite holds still. It lives in the room with you.