MA#31a

This piece represents the earth’s ancient and pervasive geological forces that shape the landscape we interact with today. Paint was poured from the peaks of a randomly curved structure allowing gravity to define the geometric profile as it falls and pools at the low points (undulating hills and valleys). Paint-pourings are repeated numerous times - flowing across and through the succession of folded contours. Finally, when the canvas has dried sufficiently, it is flattened out and then further paint is added. This enriches the complex, sedimentary-like layers of the artwork.

Inspired by JMW Turner’w working processes, the yellow spot ’sun’ was the last mark made.

Follow

My curved 'canvases' are treated as three-dimensional objects. However, rather than approaching the relationship between solidity and space like a sculptor would, I aim to return to the "flat two-dimensional picture plane." Why is this important?

Nature loves curves. To connect as closely with nature as possible, since we are all part of the same energy, curves challenge us to move beyond linear thinking. This type of thinking often simplifies our daily decisions into straightforward cause-and-effect scenarios. In contrast, curves allow us to explore the ambiguity between the present and the future. The tension inherent in a curve, when juxtaposed with the comfort of a flat plane, invites us on a transformative, nonlinear journey. This journey encourages deeper reflection and meditation on our observations.

Since 2004, I've been evolving this aesthetic thought.