Wakewaken (Sugarbag Woman)

Signed Certificate of Authenticity
A$350

Artwork Details

Medium Ink, Paper (Requires Framing)
Dimensions 42cm (W) x 59cm (H) x 1cm (D)
Review Stars 21,257 Customer Reviews

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Artwork Description

Reproduction Print on paper, limited edition of 50.
The story of Wakewaken (Sugar-bag woman) came from a country near Mann River a place call Kamarrkawan. The tree in the painting is called mandjarduk (red apple).

These Wakewaken originally lived under a paper bark tree in a creek of cold running water. Ngalyod (the Rainbow Serpent) is said to reside in this same place. One day the Wakewaken left their underwater home and moved around the country gathering bush fruit, which they placed in the burlbe (dilly bags) they carried. Wak, (black crow) saw this and became angry. Thinking they were stealing from his country he took a stone axe and cut them in half. They transformed into mankung (sugarbag, the honey of native bees) and left their imprint as a rock painting in the artist’s Mankung Djang (Sugarbag Dreaming) country.

In earlier days when Aboriginal people from this region wanted to ensure that sugar bag would be plentiful each year, they would swim in the creek and pull up the water weeds near the base of the paper bark tree where the Wakewaken resided.

"Yawkyawk, those female water spirits, live under the water, in streams all over the place. But no-one ever sees yawkyawk, except clever men (who we call marrkidjbu) with supernatural powers. Wakkewakken also lives in water, he who was chopped off at the waist. He turned into honey, and his honey is still there in the water now. Mimih on the other hand go around on land hunting, and live in caves in the stone country. I tell stories about these spirits all the time to kids at our bush school, Nawarddeken Academy. We take them on bush trips and I tell these stories, and they record me. "

Kodjdjan 2022

Artist Bio

Mary Kolkkiwarra, widow to internationally renowned and respected artist, Lofty Bardayal Nadjamerrek OA, grew up on her country Momob (Weemol area) not knowing when she was born, but knows it was under a tree when there were no Ballanda (non-indigenous people). It is estimated that Kodjdjan is around 80 years old. Having grown up learning weaving techniques, it is only later in life that Kodjdjan has explored artistic methods outside of the weaving realm. Drawing from inspiration of her deceased husband, Kodjdjan paints inspiration from her partners country Kabulwarnamyuo where she currently resides.