Hang Rock at dusk - giclée print Ed. 3 of 15

Verified Artist Certificate of Authenticity Included

Framing Options

A$380

Artwork Details

Medium Giclée, Paper (Requires Framing)
Dimensions 75.2cm (W) x 58.7cm (H) x 1cm (D)
Review Stars 21,257 Customer Reviews
Original Artwork
This artwork is one of a kind!
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Estimated Delivery Time from VIC

Friday, Jun 19 - Sunday, Jun 21

Artwork Description

Hang Rock at dusk

My work and style is influenced by early 20th century modernism. I'm more interested in the way colour, shapes, textures and patterns create inner emotions, than trying to depict a 'photograph'.

I'm very much influenced by Mid Century Modernism as well as artists; Joan Miro, Paul Klee and Australian Artists; Charles Blackman, Sidney Nolan and Reg Mombassa. My work is somewhere between fine art and commercial/pop art.

Limited Edition of 10 Giclée prints, signed and numbered

Art Prints
If you like your wall art to say 'I know quality when I see it' then our 100% cotton rag Giclée art prints are right up your alley. Somerset Museum Rag (300 gsm) is an archival 100% cotton heavyweight paper with a matte, smooth surface, sensuous to the touch while durable to everyday handling, with the latest in coating technologies to produce deep, rich blacks with an unparalleled color gamut to make a vibrant image pop to life

Stunningly high quality art, instant personalisation. Can't say fairer than that.

Dimensions
Print size 83.6 cm x 49.7 cm

smaller sizes available on request

Unframed Giclée print

*I can also recommend a picture framer i f required

Artist Bio

Hand-carved & printed, limited editions. Where graphic lines meet classic craft.

I’m a Melbourne-based illustrator and printmaker with 25 years of experience. After years in agencies, I founded my studio in 2009 to bridge technical precision with the grit of the handmade. I think of my practice as an off-site art department where graphic lines meet classic craft.

My heart is in linocut printing—a slow, meditative craft. It requires hours of hand-carving a block before ink ever touches paper. Because of this process, every print is a unique entity with its own character. My style is a conversation between graphic art and relief printing, shaped by the Australian landscape and the legacy of Margaret Preston and the Japanese Sōsaku-hanga movement.

When I’m not at the carving bench, I’m usually recording music or heading out on a road trip. I’m a professional member of Illustrators Australia and always open to new collaborations and commissions.

Commissions

Matthew's studio is in Melbourne