Jacaranda - Linocut Print Ed. 15 of 20

Verified Artist Certificate of Authenticity Included

Framing Options

A$170

Artwork Details

Medium Linocut Print, Paper (Requires Framing)
Dimensions 40cm (W) x 30cm (H) x 0.1cm (D)
Review Stars 21,257 Customer Reviews
Original Artwork
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Estimated Delivery Time from VIC

Friday, Jun 19 - Sunday, Jun 21

Artwork Description

Jacaranda - Linocut Print
This is a linocut print is taken from a drawing of Jacaranda tree flowers.

Printmaking and linocut printing are two of my favourite artistic mediums to use. Some of my sources of inspiration include working with line, texture, and tone as well as the careful, time-consuming process of hand carving the block before printing.

Some of my primary influences are the 20th-century Sōsaku-hanga woodblock print movement ("creative prints"), the Australian printmakers Margret Preston and Barbara Hanrahan, the Japanese printmaker Un'ichi Hiratsuka, and the Australian printmakers Margret Preston and Barbara Hanrahan.

Specs
• Paper: 70% Bamboo / 30% Recycled Pulp 170gsm
• Print Size: 30cmx40cm
• Paper Size: 43x52cm
• Soy-based inks
• Limited edition of 15 hand-signed prints
• Unframed Linocut print
• These prints are hand-printed, so each print will have slight variations.

Paper
Awagami Editioning Papers are made in Japan with environmentally friendly bamboo; this sheet has a small ecological footprint. Papers are acid-free, archival, and made with strict attention to quality and preservation.

Limited edition of 20 hand-signed and numbered prints

Unframed linocut print

Artist Bio

Hand-carved & printed, limited editions. Where graphic lines meet classic craft.

I’m a Melbourne-based illustrator and printmaker with 25 years of experience. After years in agencies, I founded my studio in 2009 to bridge technical precision with the grit of the handmade. I think of my practice as an off-site art department where graphic lines meet classic craft.

My heart is in linocut printing—a slow, meditative craft. It requires hours of hand-carving a block before ink ever touches paper. Because of this process, every print is a unique entity with its own character. My style is a conversation between graphic art and relief printing, shaped by the Australian landscape and the legacy of Margaret Preston and the Japanese Sōsaku-hanga movement.

When I’m not at the carving bench, I’m usually recording music or heading out on a road trip. I’m a professional member of Illustrators Australia and always open to new collaborations and commissions.

Commissions

Matthew's studio is in Melbourne