Road-Trip Ed. 5 of 10

Giclée, Canvas (Requires Framing)

80cm (W) x 52cm (H) x 0.2cm (D)

Signed Certificate of Authenticity

Complete Your Piece With A Wood Frame

A$380

Arrives 5–7 Dec

Free Shipping Australia Wide · Free returns

Artist is away — Artwork will have delayed dispatch

Artwork Description

Great Ocean Road

An abstract painting of the fields and cliffs along the Great Ocean Road in Victoria, Australia.

My work and style is influenced by early 20th-century modernism. I'm more interested in the way colour, shapes, textures and patterns create inner emotions than trying to depict a 'photograph'.

I'm very much influenced by Mid Century Modernism as well as artists; Joan Miro, Paul Klee and Australian Artists; Charles Blackman, Sidney Nolan and Reg Mombassa. My work is somewhere between fine art and commercial/pop art.

Limited Edition of 15 Giclée prints, signed and numbered
Comes with a certificate of authenticity

ART PRINTS

ARCHIVAL PAPER PRINT

If you like your wall art to say 'I know quality when I see it' then our 100% cotton rag Giclée art prints are right up your alley. Somerset Museum Rag (300 gsm) is an archival 100% cotton heavyweight paper with a matte, smooth surface, sensuous to the touch while durable to everyday handling, with the latest in coating technologies to produce deep, rich blacks with an unparalleled colour gamut to make a vibrant image pop to life

Stunningly high-quality art, instant personalisation. Can't say fairer than that.

Unframed Giclée print

Limited Edition Giclée prints, hand signed and numbered.
Comes with a Certificate of Authenticity.

CANVAS PRINT

Canvas prints have a Natural white base, and a satin surface finish and are supplied in roll form; they come with 55mm bleed, (extra white canvas for wrapping).

Custom sizes are available on request.

Sihl Luna Artist 350gsm Polycotton Blend Canvas. High-quality, satin canvas with a natural structure for professional photo prints and art reproduction.

Luna Canvas Prime Satin AQ is a high-quality artistic canvas on a cotton/polyester blend base with a coating for water-based inks. The 2:1 weave offers a light irregular structure, which makes it optimal for artistic and Fine Art prints. The absence of brighteners preserves natural colouring and leads to higher light stability and a longer lifespan. The satin finish coating enables photorealistic prints with excellent colours and deep, rich blacks. The material shows no white-scoring and prints are splashproof.

Unframed and shipped in a tube.
Comes with a Certificate of Authenticity.

Artist Bio

Hand-carved & printed, limited editions. Where graphic lines meet classic craft.

I’m a Melbourne-based illustrator and printmaker with 25 years of experience. After years in agencies, I founded my studio in 2009 to bridge technical precision with the grit of the handmade. I think of my practice as an off-site art department where graphic lines meet classic craft.

My heart is in linocut printing—a slow, meditative craft. It requires hours of hand-carving a block before ink ever touches paper. Because of this process, every print is a unique entity with its own character. My style is a conversation between graphic art and relief printing, shaped by the Australian landscape and the legacy of Margaret Preston and the Japanese Sōsaku-hanga movement.

When I’m not at the carving bench, I’m usually recording music or heading out on a road trip. I’m a professional member of Illustrators Australia and always open to new collaborations and commissions.

Commissions

Matthew's studio is in Melbourne