And The Moon Low Down

After a long hot summer, I am ready for a bit of the bush, camping and fishing..........back to nature.
This lovely old poem by James Deveney tells of a mythical creature who likes to wallow in waterholes in the "ghostly light" with "the moon low down."

"Oh, came you up by the place of dread
(west red, and the moon low down)
where no winds blow and the birds have fled
and the gum stands dead and its arms gleam white,
and the tribe sneak by with a stealthy tread
in the ghostly light,in the ghostly light.
Brave Worraland went one grey nightfall
(A woi! woi!) where the grim rocks frown;
he came no more to the camps at all
(Skies dark, and the moon low down).

As we came up by the gully side
(Deep dusk, and the moon low down)
A Dingo whined and a Curlew cried
and the reeds replied as in hushed affright
where tall brae Worraland screamed and died
in the ghostly light, in the ghostly light.
For the Thing lurks there in the haunted place
(A woi! woi!) where the pool is brown,
where lost ones vanish and leave no trace
(Day dead, and the moon low down).

Of, go not by near the bunyip's lair
(Stars dim, and the moon low down)
or tip-toe past and beware, beware
the dark pool snare and be set for flight,
for things of terror have happened there
in the ghostly light, in the ghostly light
and in the gunyas we crouch and hark
(A woi! woi!) where the dead men drown
The monster's bellow across the dark
(Stars gone, and the moon low down).

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“I do not paint the landscape. The sensation and experience of applying the inks, become the landscape.”
After many years of painting and drawing, I felt I could not express an emotional response to my vision using conventional methods and began experimenting with spirit based inks. Acid free, fast drying and translucent, they hum with a creative energy of their own. They are magical. I love colour, its subtlety, boldness, restfulness and cheekiness. These inks swirl and move of their own accord, but they need manipulation and control to reign in their playfulness and allow me to echo the soul and aura of the subject. Lately I have introduced a textured approach with acrylic paints for the foreground in my works, but have continued using the lovely swirly inky skies. My paintings evolve from my own reactions to the mood and nature of what I am endeavouring to convey. They capture spirit, movement and translate those impressions in a semi-abstract, expressionistic manner. Growing up in Brewarrina, my art has been influenced by many childhood memories of the harsh Australian Outback as well as my overseas travels. Sitting beside a campfire, mesmerised by violet heavens above; striding across purple heath covered English Moors;
blinded by the white starkness of the Antarctica or simply reading a book about Apothecary in my chair - all awaken a desire to translate those experiences into a tangible reflection of my memories. A song or piece of poetry can also inspire a painting, helping me represent the mood and nature of the subject.My studio has been hand hewn from the solid rock face on which my house is built. I actually descend though a trapdoor in the lounge room floor! I'm most creative in the early hours, working on 2-3 pieces at a time, listening to a 1950s station on my old radio. These paintings of mine, are a reflection of that endless quest to record the blessings of nature swirled around with a dram of whimsical romanticism.