Painting by Meg Lewer 311 Artworks Sold

The Netters

Mixed Media, Canvas, Framed by Artist

65cm (W) x 65cm (H) x 5cm (D)

Certificate of Authenticity Included

Framed by Artist

A$1,610

Arrives 17–19 Sep

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Artwork Description

"Halfway up from the little harbor of sardine boats,
Halfway down from groves where the thin, bitter almond pips
Fatten in green-pocked pods, the three net-menders sit out,
Dressed in black, everybody in mourning for someone.
They set their stout chairs back to the road and face the dark
Dominoes of their doorways.

Sun grains their crow-colors,
Purples the fig in the leaf's shadow, turns the dust pink.
On the road named for Tomas Ortunio, mica
Winks like money under the ringed toes of the chickens.
The houses are white as sea-salt goats lick from the rocks.

While their fingers work with the coarse mesh and the fine
Their eyes revolve the whole town like a blue and green ball.
Nobody dies or is born without their knowing it.
They talk of bride-lace, of lovers spunky as gamecocks.

The moon leans, a stone madonna, over the lead sea
And the iron hills that enclose them. Earthen fingers
Twist old words into the web-threads:

Tonight may the fish
Be a harvest of silver in the nets, and the lamps
Of our husbands and sons move sure among the low stars."
Sylvia Plath 1910

Artist Bio

“I do not paint the landscape. The sensation and experience of applying the inks, become the landscape.”
After many years of painting and drawing, I felt I could not express an emotional response to my vision using conventional methods and began experimenting with spirit based inks. Acid free, fast drying and translucent, they hum with a creative energy of their own. They are magical. I love colour, its subtlety, boldness, restfulness and cheekiness. These inks swirl and move of their own accord, but they need manipulation and control to reign in their playfulness and allow me to echo the soul and aura of the subject. Lately I have introduced a textured approach with acrylic paints for the foreground in my works, but have continued using the lovely swirly inky skies. My paintings evolve from my own reactions to the mood and nature of what I am endeavouring to convey. They capture spirit, movement and translate those impressions in a semi-abstract, expressionistic manner. Growing up in Brewarrina, my art has been influenced by many childhood memories of the harsh Australian Outback as well as my overseas travels. Sitting beside a campfire, mesmerised by violet heavens above; striding across purple heath covered English Moors;
blinded by the white starkness of the Antarctica or simply reading a book about Apothecary in my chair - all awaken a desire to translate those experiences into a tangible reflection of my memories. A song or piece of poetry can also inspire a painting, helping me represent the mood and nature of the subject.My studio has been hand hewn from the solid rock face on which my house is built. I actually descend though a trapdoor in the lounge room floor! I'm most creative in the early hours, working on 2-3 pieces at a time, listening to a 1950s station on my old radio. These paintings of mine, are a reflection of that endless quest to record the blessings of nature swirled around with a dram of whimsical romanticism.

Commissions

Meg's studio is in Central Coast