The Almighty Dollar (burning a hole through our back pockets)

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A$1,380

Artwork Details

Medium Oil, Canvas, Framed by Artist
Dimensions 50cm (W) x 50cm (H) x 5cm (D)
Review Stars 21,229 Customer Reviews
Original Artwork
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Artwork Description

After the devastating Bushfires in Australia over the 2019/2020 summer, it seemed like the world was ready to take notice of the pleas of scientists and environmentalists for decades. Then, ironically, COVID struck. A symptom of over population of the human species, COVID stopped us and many industries in their tracks. People in isolation and a halt on travel meant mother nature had a small reprieve. But this will be short lived. And the amount of waste generated by the need of disposable plastics and other products to get us through COVID is phenomenal.

If only governments would take the climate crisis as serious as a pandemic, enforcing renewable energy, sustainable manufacturing including investing in eco-plastics and supporting the plant based food industry.

This painting was painted last Summer in response to our own governments continual denial of the climate crisis as the causation of the devastating bush fires. Unfortunately, Australia has deep pockets filled with coal.

This painting references the iconic Matt Abbott photo of Lake Conjola burning on January 1st 2020. This photo captured the attention of the world, was all over the media including NYTimes, and shared by international people of influence including Greta Thunburg and Ellen DeGeneres. And as soon as I saw it, I though of this image and the kangaroos on our one dollar coin.

NOTE: I have an a frame I made using burnt wood that I can use, or not use. If you are interested in seeing the painting with the wood burnt frame, please message me. This listing is for the painting without the frame. If you choose the frame, there will be additional costs, and I can change the listing to suite.

Artist Bio

Born in Georgia USA in 1978, Melissa moved to Australian as a baby and grew up in Windang, on the South Coast NSW. Melissa established a career in advertising since 1999, and started portrait and still life painting in 2012. Melissa has been a finalist in many Australian Art Prizes including the Archibald Prize, Eutick Memorial Still Life Award, Kennedy Prize, Kilgour Prize, Pirtek Still Life Award, Shirley Hannan Portrait Prize, Brisbane Portrait Prize, Black Swan Portraiture Prize, Portia Geach Memorial Art Award, John Copes Portrait Prize and the Percival Portrait Prize. Melissa won Wollongong Art Gallery’s ‘Postcodes from the Edge Art Prize’ in 2016.