Ascending Point Ed. 1 of 12

Photograph, Paper (Requires Framing)

42cm (W) x 59.4cm (H) x 0.4cm (D)

Certificate of Authenticity Included

Complete your piece with a wood frame

Recommended

Natural is our curators’ preference. It adds warmth without announcing itself, keeping the artwork the focal point.

Artwork only · unframed

A$200

Unframed

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Arrives 9 to 11 Nov

Free tracked, insured shipping Australia-wide.

Packed by the artist and sent to your door.

7-day trial at home

Hang it, live with it, see it in your own light. If it isn’t right, tell us within 7 days of it arriving and we’ll arrange collection.

  • Free return shipping, Australia wide
  • Full refund if the work isn’t right for your space, including framing
  • Fully insured, both ways

Fair use terms apply.

Artwork Description

The stark contrast between the solid, pale materiality of the tower and the gradient of the clear sky above emphasizes the architectural form and its upward trajectory. A single, small bird in flight provides a subtle sense of scale and movement within the otherwise static composition. This image is an abstract exploration of verticality and perspective, inviting contemplation on the relationship between human-made structures and the vastness of the natural world.
This photograph presents a minimalist study of a vertical structure against an expansive blue sky. The tower, captured from a low angle near the Hobart wharf, rises with clean lines and a cylindrical form, culminating in a distinct, multi-tiered observation deck with rounded windows.

310 GSM Fine Art Print, Archive quality ink and paper
Limited edition print:
S 42.0 x 59.4 cm Edition of 12 +1AP $200

M 59.4 x 84.1 cm Edition of 6 +1AP $500

L 84.1 x 118.8 cm Edition of 6 +1AP $800

Artist Bio

Michael David is a Brisbane-based photographer whose practice began with street photography, an art of noticing the fleeting and unrepeatable. That early discipline has since spread into landscapes, portraiture, and fine art, where his focus lies less in documentation than in distillation.

Obsessive about process, Michael approaches each image with intent—from scouting locations and studying light, through to producing his own prints. For him, the print itself is the linchpin of focus—it is where the photograph becomes a tangible object, carrying with it not just an image, but the weight of time, atmosphere, and memory.

Across subjects, his images aim to hold the tension between stillness and movement, intimacy and vastness. They are less about recording what was seen, and more about evoking what was felt in the moment of capture.

Commissions

Michael's studio is in Mount Cotton, Australia