Light n Sinister II Ed. 4 of 9

Certificate of Authenticity Included

Framing Options

A$500

Artwork Details

Medium Screenprinting, Paper (Requires Framing)
Dimensions 70cm (W) x 100cm (H) x 1cm (D)
Review Stars 21,257 Customer Reviews
Original Artwork
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Friday, Jun 19 - Sunday, Jun 21

Artwork Description

This series derives inspiration from a variety of sources, including the book ‘Where the Wild Things are’, experiences of Camping and Ghost stories. These works playfully evoke the notion that the Australian landscape is hostile, working with the idea that it is scary when things can kill you and your imagination can run wild. Whilst they appear light and bright initially, something more sinister, yet tongue-in-cheek undercuts the series. There is a juxtaposition between the malevolent and the naïve and nostalgic that is aimed to reveal itself through repeated viewing.

Artist Bio

Michael Hawkins is a New Zealand-born Artist and Printmaker who works from his studio in Melbourne, Australia.
Michael’s practice currently splits into two specific areas, limited edition works and original paintings. Both strains are interested in how meaning can be generated from the visual interaction that takes place between sign and signage -between the familiar and the unknown. Whether through common-place motifs such as a snake or a lump of wood or through more ambiguous imagery creation and juxtaposition.
Michael’s ‘Overload’ limited-edition artworks shown here are drawing-based, utilising silkscreen printing (and occasionally painting) processes. Whilst these works concern themselves with individual themes or subjects, they are also interested in exploring the visual effects of information overload and in asking questions through these works of how we divide the meaningful from the inauthentic. These works are characterised by a bold, graphic aesthetic and a playful yet (deceptively) sardonic humour.
Hawkins’s ‘Wild Things/Light and Sinister’ series evoke childhood wonder and teenage nostalgia as starting points. They derive inspiration from sources such as ‘Where the Wild Things are’, experiences of Camping and Ghost stories. There is also an interest in the Australian relationship to country. It is scary when things can kill you and your imagination can run wild. These works aim to appear light and bright initially but with more sinister undertones that reveal themselves through further viewing, creating a juxtaposition between the malevolent and the naïve and nostalgic.

Commissions

Michael's studio is in Melbourne