MAN/CHILD Ed. 2 of 12

Screenprinting, Paper (Requires Framing)

70cm (W) x 100cm (H) x 1cm (D)

Certificate of Authenticity Included

Complete Your Piece With A Wood Frame

A$550

Arrives 18–20 Sep

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Artwork Description

MAN/CHILD is a collaboration of sorts between myself and my daughter. She was 5 at the time we started working on the piece. What initially had been a 'pop-culture' artwork diversified when she began drawing my drawing and I would draw her drawings. As this went on, some of the imagery became ambiguous as to who had contributed what. Overall, the artwork aims to present two life stages in a playful and irreverent way that rewards repeat viewing.
The artwork is meticulously hand printed and framed in low reflective art glass and the box frame is 4cm deep to give artwork physical presence. Recommend this one for anyone who has had or has kids they have done drawing with.

Artist Bio

Michael Hawkins is a New Zealand-born Artist and Printmaker who works from his studio in Melbourne, Australia.
Michael’s practice currently splits into two specific areas, limited edition works and original paintings. Both strains are interested in how meaning can be generated from the visual interaction that takes place between sign and signage -between the familiar and the unknown. Whether through common-place motifs such as a snake or a lump of wood or through more ambiguous imagery creation and juxtaposition.
Michael’s ‘Overload’ limited-edition artworks shown here are drawing-based, utilising silkscreen printing (and occasionally painting) processes. Whilst these works concern themselves with individual themes or subjects, they are also interested in exploring the visual effects of information overload and in asking questions through these works of how we divide the meaningful from the inauthentic. These works are characterised by a bold, graphic aesthetic and a playful yet (deceptively) sardonic humour.
Hawkins’s ‘Wild Things/Light and Sinister’ series evoke childhood wonder and teenage nostalgia as starting points. They derive inspiration from sources such as ‘Where the Wild Things are’, experiences of Camping and Ghost stories. There is also an interest in the Australian relationship to country. It is scary when things can kill you and your imagination can run wild. These works aim to appear light and bright initially but with more sinister undertones that reveal themselves through further viewing, creating a juxtaposition between the malevolent and the naïve and nostalgic.

Commissions

Michael's studio is in Melbourne