A special spot in barmah state Forest

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A$1,050

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Artwork Details

Medium Acrylic, Canvas, Ready to hang
Dimensions 60cm (W) x 50cm (H) x 3cm (D)
Review Stars 21,265 Customer Reviews

Indigenous Art Code

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Tuesday, Jun 23 - Thursday, Jun 25

Artwork Description

The Old River Red Gums Remember**

These ancient river red gums have stood sentinel over Yorta Yorta Country for countless generations, their massive trunks bearing witness to the ebb and flow of the Murray River and the lives of your people. The twisted bark tells stories older than memory - of ceremonies held in their shade, of children learning the old ways beneath their branches, of elders sharing knowledge that connected sky to earth to water.

In this painting, the trees stand between two worlds - the rich green grass of the floodplain where the river has blessed the land, and the sandy earth where it has receded, leaving space for different plants to grow. This is the natural rhythm your ancestors understood so well, moving with the seasons and the water, reading the Country like a living map.

The smaller trees in the background speak to continuity - new growth carrying forward the wisdom of the old ones. The blue sky stretches wide and eternal, holding all the stories, all the songs, all the connections that make this place sacred to Yorta Yorta people.

These trees have sheltered your mob through joy and sorrow, through the old times and the hard times that followed. They remain standing, strong and enduring, just as your culture and connection to Country endures. In your painting, you've captured not just a landscape, but a relationship - the living bond between your people and this sacred Country that continues to nurture and sustain.The painting honors both the beauty of Barmah and the deep spiritual significance it holds for our mob.

Artist Bio

Michael McNamara is a 38-year-old Aboriginal artist from NSW, proudly carrying the artistic and cultural legacy of his Dharug heritage. As a descendant of Lucy Leane (née Burns/walker), a proud Cabrogal woman from the Dharug nation . Michael's connection to Country runs deep through generations.Lucy Burns-Leane (1836-1895) was of the Cabrogal (Liverpool) Clan of the Darug tribe .Michael's artwork honors this ancestral connection through contemporary interpretations of traditional Aboriginal artistic techniques. His paintings demonstrate deep respect for the visual language of his people - the concentric circles, dot work, and earth tones that have carried cultural stories for thousands of years. Through his art, Michael continues the storytelling tradition of his ancestors, creating works that speak to both the ancient wisdom of his Dharug heritage and the contemporary Aboriginal experience.Working primarily in traditional ochre palettes and circular motifs, Michael's paintings serve as both cultural preservation and personal expression, ensuring that the stories and symbols of his great-great-great grandmother's people continue to be shared and celebrated in the modern world.

Commissions

Michael's studio is in Victoria