Two weathered timber dinghies that are tied to a wharf are bobbing on tiny wavelets, the sun beating down on the water causi… Two weathered timber dinghies that are tied to a wharf are bobbing on tiny wavelets, the sun beating down on the water causi…
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Two weathered timber dinghies that are tied to a wharf are bobbing on tiny wavelets, the sun beating down on the water causi…
Two weathered timber dinghies that are tied to a wharf are bobbing on tiny wavelets, the sun beating down on the water causi…
4.8 21,742+ Bluethumb reviews

Dinghy Reflection

Oil, Canvas, Ready to hang

91.4cm (W) x 121.8cm (H) x 4cm (D)

  • Original · Handmade
  • Signed by the artist
Miriam Ferrall Verified artist
Fleuerieu Peninsula, South Australia
12 works sold

Complete your piece with a wood frame

Recommended

Natural is our curators’ preference. It adds warmth without announcing itself, keeping the artwork the focal point.

Artwork only · unframed

A$1,700

4.8 · Free returns

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Arrives 20 to 22 Nov

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Packed by the artist and sent to your door.

Sold by Miriam Ferrall
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Hang it, live with it, see it in your own light. If it isn’t right, tell us within 7 days of it arriving and we’ll arrange collection.

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  • Full refund if the work isn’t right for your space, including framing
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  • Original
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Artwork Description

Boats and water have always been a big part of my family life. I enjoy just looking at the sea and watching the reflections jump around on the surface so it was a natural progression for me to want to capture that on canvas.

Artist Bio
Photo of Miriam Ferrall
Miriam Ferrall 35 artworks | 1 Sold

(Miriam (Mim) Ferrall) I am a relative newcomer to the art world having undertaken my first art lesson in 2009 but not progressing much further until, in 2018 after a Parkinson's Disease diagnosis, I gave up full-time paid work to spend more time in the studio.
Moving to the beautiful southern Fleuerieu Peninsula in South Australia has provided the most relaxing and inspirational backdrop to drive my focus.
Beginners Charcoal Drawing classes in 2016 drew me to an enthusiasm for animal studies, and the dramatic use of contrast not only in my charcoals, but also my oil paintings.
Most recently I have developed an enthusiasm for painting birds and land/seascapes.
My work continues to evolve as more time is spent in the studio.
I have been fortunate to have been short-listed for art shows/awards and have won First Prizes and Commendations in most that I have been short-listed for.
I have also sold quite a few paintings and am honoured to have been asked t do more than a dozen commissions since starting my painting journey.

Commissions
Miriam's studio is in Fleuerieu Peninsula, South Australia