Bruges

Bruges explores a quiet architectural moment in which light, shadow and space become more important than the buildings themselves. A narrow passage is almost entirely absorbed by deep shadow, while warm reflected light catches the surrounding walls and the small details that remain visible within the darkness. Across the passage, a brightly illuminated façade emerges in strong contrast, its windows, doorway and architectural geometry providing a sense of structure and scale.

A solitary figure stands almost unnoticed within the open doorway. Small in relation to the surrounding architecture, the figure introduces a human presence without becoming the focus of the painting. The lantern and isolated areas of reflected light similarly act as small points of recognition within an otherwise restrained composition.

The painting is deliberately reduced. Rather than describing every surface and architectural detail, I have tried to retain only those elements that contribute to the sense of place, light and space. The large areas of darkness are therefore not simply unpainted or empty areas, but an essential part of the composition.

As with much of my work, Bruges is less concerned with recording a particular view than with the experience of being in that space: the sudden contrast between shadow and sunlight, the unexpected warmth of reflected colour, and the quiet presence of someone passing through an otherwise still environment.

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I loved to draw and paint from a very early age. I was fascinated by the capability of artists to bring to life the world around them; to represent form, light and shade; to create three dimensions within two.

Simultaneously I was drawn to photography. From my earliest self-processed black and white prints to the sophistication of modern digital manipulation, I have always taken pictures.

In my professional life I established and ran successful creative businesses in London, Luxembourg, Malaga, Berlin and Sydney. I held senior roles in prominent design practices and advertising agencies, including the creative directorship of Europe's first online service.

More recently I taught design at universities and design schools in Sydney, Australia and Southern Spain with particular focus upon sustainable design thinking, human-centred design and developing successful design practice.

My work has been recognised as a finalist in the Stanthorpe Art Prize, the UniSQ Biennial Art Award and the Burwood Art Prize. My drawing "Venice Winter Evening" received special commendation from the selection panel for the Basil Sellers Art Prize, while my paintings have also featured in curated collections by Saatchi Art, been selected as Bluethumb Staff Picks, and included in Artsper’s New & Remarkable Artists selection.

I began my career as a junior illustrator in London. It's therefore appropriate that with more time on my hands these days I should return to my first love.