The Blue Stairs QVB

This painting presents a blue stairwell within the Queen Victoria Building, capturing a quiet, atmospheric corner of one of Sydney’s most recognisable heritage interiors. The composition centres on the sweeping geometry of the staircase as it ascends into shadow, its deep blue tones defining the structure and lending a sense of cool stillness to the scene. The colour choice reinforces the mood of calm and isolation, transforming the stairwell from a functional passage into a reflective architectural space.
Although the setting is predominantly dark, a concentrated splash of light falls across one section of the wall, creating a subtle focal point within the composition. This glow suggests the presence of an unseen light source, perhaps filtered through the high stained-glass windows or neighbouring corridors, and introduces contrast against the surrounding cool hues. The interplay between light and shadow draws attention to the textures of the surfaces and the elegant detailing of the building, highlighting the historical character of the Queen Victoria Building without overwhelming the quiet atmosphere.
The figureless space enhances the sense of stillness, allowing the viewer to focus on form, colour, and structure. The stairwell appears momentarily suspended in time, as if paused between movement and memory. The contrast between the heavy blue shadows and the gentle illumination invites contemplation, encouraging the viewer to consider not only the physical architecture but also the emotional resonance of transitional spaces — those places we pass through but rarely pause to observe.
Together, these elements create a contemplative study of light, space, and architectural presence within a familiar Sydney landmark.

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I loved to draw and paint from a very early age. I was fascinated by the capability of artists to bring to life the world around them; to represent form, light and shade; to create three dimensions within two.

Simultaneously I was drawn to photography. From my earliest self-processed black and white prints to the sophistication of modern digital manipulation, I have always taken pictures.

In my professional life I established and ran successful creative businesses in London, Luxembourg, Malaga, Berlin and Sydney. I held senior roles in prominent design practices and advertising agencies, including the creative directorship of Europe's first online service.

More recently I taught design at universities and design schools in Sydney, Australia and Southern Spain with particular focus upon sustainable design thinking, human-centred design and developing successful design practice.

I began my career as a junior illustrator in London. It's therefore appropriate that with more time on my hands these days I should return to my first love.