Wonderful Chaos - two Ed. 1 of 2

Wonderful Chaos - two.

The random blend of nature and movement intrigues me.

For this series, I am combining several portions of long-exposure captures of the ocean as it crashes against the shore. Rather than being a literal depiction, I add to the natural chaos by reversing, flipping, and blending various motion and time layers.

My process is a homage to the always-changing shoreline and a mind that is not always settled. At some stage, I reach a calm place and press print.

Making these multi-image compilations is both an emotional and creative release. It is how I try to express the memories of my once-damaged eyesight.

The turmoil my mind came to experience, as the physical injury and pain messed with my being, is tempered by the beauty and mystery the blurred vision helped me discover.

This Master Edition, a testament to my artistic vision, is a rare gem in the art world. Limited to just two prints, it offers a unique opportunity for those who appreciate the beauty of the ever-changing light moods and the art of capturing them.

Every picture I have made encapsulates the essence of my story. Each piece, with its unique intricate details, obscure abstracts, or expansive vistas, is crafted to deeply move and connect with the viewer’s emotions. The artistry in my archival, museum-quality prints is designed to evoke profound emotion and capture moments in time, creating a deep and lasting connection with the viewer.

Foley Fine Art Prints are made with craftsmanship. Printed on Cotton Rag heavyweight stock using state-of-the-art, museum-grade printers and archival inks, they meet the highest industry standards.

With their archival quality, these fine art giclée prints guarantee lasting beauty. They are shipped rolled, ready to be framed and cherished for years.

Each print is individually made to order, increasing delivery time by approximately five working days.

'Photography isn't real until I can feel it. The print is the tactile confluence of light and shadow - when my creative process is fully and properly realised.'

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'My first attraction to photography was through the pages of 1970’s surf magazines. Inspired, I saved for a Pentax and a cheap 400mm lens, then began photographing my friends surfing. I was full of teenage ambition to see my pictures on a magazine’s page. After a week of waiting, the Kodachromes would come back from processing. I would project the best on my bedroom wall, imagining them as magazine covers with mastheads and headlines. During the mid-'70s and '80, there was some limited publishing success. But even more fun and adventure travelling to various surf locations worldwide. Travel opened my photographic soul - it encouraged me to understand my craft better. I discovered (and devoured) the images and teachings of Ansel Adams. Practical instruction came via many workshops conducted by contemporary masters of photography. I was also very fortunate to receive mentoring from iconic Australian photographer David Moore. This mix of 'on-page' and in-person tuition taught me to photograph with precise techniques and greater reflection. I would make photographs for many years using only large and medium format cameras. Later, I settled into a professional photography career in Newcastle, Australia. I was a busy pro, commissioned by local, national, and international clients. All the while, though, I made pictures for myself. Everyone needs a hobby as a break from everyday work, and mine was photography - despite my day job. In 2006, I almost permanently lost my sight after eye surgery. It took several years for my eyes to recover and longer to come to terms with the associated depression. The recovery period gave me more time for my ‘hobby’. I used it to express how that smeared vision filtered the world in the months immediately after the surgery. I was drawn to disguising scenes and details with blur and motion.’
COVID and travel restrictions brought forward his planned retirement from Corporate Photography. He now devotes more time to his personal work while working part-time as a Creative for Apple.
Paul’s work can be found on Instagram ( @lightmoods )