Photography by Peter Harlow 2 Artworks Sold

Pelican water colour Ed. 7 of 10

Photograph, Paper (Requires Framing)

60cm (W) x 60cm (H) x 0.1cm (D)

Certificate of Authenticity Included

Complete Your Piece With A Wood Frame

A$480

Arrives 22–24 Sep

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Artwork Description

Australian Photographer of the year 2023 - Highly Commended

Limited edition of 10 prints in this size - signed and numbered on the front.

The evaporation of seawater at Corio, near Geelong, was once the largest source of salt in Victoria, but almost all production is now from the semi-arid Mallee and Wimmera regions of the northwest of the state.

In these areas, the inland lakes are partially filled during winter by rising groundwater rich in sodium chloride and other salts, which are precipitated as the water evaporates during summer.

Salt is harvested both in its naturally occurring form, directly from the lake bed, and from specially prepared crystallising areas in which salt from the lake, dissolved by winter rains, is recrystallised during spring and summer. Each of the lakes get their vibrant coloured hues from salt-loving algae that are attracted to the high salinity levels found in the water.

This image was captured over salt pans, the changing orange hues representing the various stages of evaporation. If you look closely, you can see the old vehicle tyres used to mark the roadways between the evaporation pans.

From a viewpoint of less than 50 metres above the surface of the earth, it can be seen how nature - sometimes modified by human hand - paints its own abstract images, unique and perfect. And these images are constantly changing with the wind, rain and seasons. In this sense, my photographs also represent impermanence and fragility.

My intention, by presenting a different view of the landscape, is to cause the viewer to pause, consider and reflect on the ineluctable modality of the visible and perhaps to reconsider their own point of view.

Artist Bio

My art is rooted in a deep fascination with the Australian landscape and the stories it holds: stories of transformation, resilience, and the ever-shifting boundary between the natural and the constructed. Working primarily from aerial perspectives, I seek to reveal the hidden patterns and unexpected beauty found in places shaped by both environmental forces and human hands.

Through a blend of abstraction and realism, I photograph the natural vibrant colour palettes and layered textures of salt lakes, wetlands and industrial sites. Each work is an invitation to pause and contemplate: How do we shape the land, and how does it shape us in return? There are moments where beauty and desolation meet, where a cracked shoreline or a cluster of industrial ponds becomes a canvas for reflection on our collective impact.

My process is as much about curiosity as it is about curation. I want viewers to feel a sense of discovery, to see the familiar anew, and to connect with the land in ways that are both personal and universal. Art, for me, isn’t just about decorating walls, it’s about filling those spaces with meaning which spark conversation and build community and joy in the places we call home.

Whether you’re a fellow artist, a collector, or someone who simply loves the quiet power of nature, I invite you to join me in exploring the stories written across the earth’s surface: one brushstroke, one aerial view, one shared moment at a time.

Commissions

Peter's studio is in Mornington, Victoria, Australia