Untitled by Philip Samuels

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These computer prints are treated in the same manner as a traditional multi-coloured linocut, or silk screen print. That is: each colour is printed on the paper individually. There are five colours in this print, each on its own layer. So, the paper passed through the printer five times, to build up the final image.
There are two editions of five prints in each. After the first edition, I made changes to the yellow layer/block, which made the blues, stronger, in the second edition. I am happy with both versions.

These computer prints are treated in the same manner as a traditional multi-coloured linocut, or silk screen print. That is: each colour is printed on the paper individually. There are five colours in this print, each on its own layer. So, the paper passed through the printer five times, to build up the final image.
There are two editions of five prints in each. After the first edition, I made changes to the yellow layer/block, which made the blues, stronger, in the second edition. I am happy with both versions.

These computer prints are treated in the same manner as a traditional multi-coloured linocut, or silk screen print. That is: each colour is printed on the paper individually. There are five colours in this print, each on its own layer. So, the paper passed through the printer five times, to build up the final image.
There are two editions of five prints in each. After the first edition, I made changes to the yellow layer/block, which made the blues, stronger, in the second edition. I am happy with both versions.

These computer prints are treated in the same manner as a traditional multi-coloured linocut, or silk screen print. That is: each colour is printed on the paper individually. There are five colours in this print, each on its own layer. So, the paper passed through the printer five times, to build up the final image.
There are two editions of five prints in each. After the first edition, I made changes to the yellow layer/block, which made the blues, stronger, in the second edition. I am happy with both versions.

These computer prints are treated in the same manner as a traditional multi-coloured linocut, or silk screen print. That is: each colour is printed on the paper individually. There are five colours in this print, each on its own layer. So, the paper passed through the printer five times, to build up the final image.
There are two editions of five prints in each. After the first edition, I made changes to the yellow layer/block, which made the blues, stronger, in the second edition. I am happy with both versions.

These computer prints are treated in the same manner as a traditional multi-coloured linocut, or silk screen print. That is: each colour is printed on the paper individually. There are five colours in this print, each on its own layer. So, the paper passed through the printer five times, to build up the final image.
There are two editions of five prints in each. After the first edition, I made changes to the yellow layer/block, which made the blues, stronger, in the second edition. I am happy with both versions.

Philip Samuels
8 artworks

Lake Macquarie, NSW, Australia

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Artwork Description

Giclée on paper

Signed on the front.

The design is not inspired by anything, but the first mark made on the screen. This will influence the next mark, and so on. This is mostly how I approach all my work, painting, drawing, and computer printmaking.
These prints are supplied, unframed

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Medium

Computer design on Canson Infinity 210gsm Paper

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Unframed (requires framing)

This artwork is unframed and requires framing.

Philip Samuels
8 artworks

Lake Macquarie, NSW, Australia

Ask Philip a question

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All art by Philip Samuels

Abstract forms floating through space.

Colorful, hard edged, rectangular, abstract, design.

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