The Venetian Bridge by Rachael McDiarmid

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An oil painting of Venice with a plain bridge and reflections in the water from old crumbling buildings. It is painted in a contemporary, minimal style with very little detail.

An oil painting of Venice with a plain bridge and reflections in the water from old crumbling buildings. It is painted in a contemporary, minimal style with very little detail.

An oil painting of Venice with a plain bridge and reflections in the water from old crumbling buildings. It is painted in a contemporary, minimal style with very little detail.

An oil painting of Venice with a plain bridge and reflections in the water from old crumbling buildings. It is painted in a contemporary, minimal style with very little detail.

An oil painting of Venice with a plain bridge and reflections in the water from old crumbling buildings. It is painted in a contemporary, minimal style with very little detail.

Rachael McDiarmid
55 artworks

Blue Mountains, Australia

Ask Rachael a question

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Artwork Description

Oil on canvas, stretched and ready to hang.

Signed on the front.

We love travelling to Venice and have visited the city many times. I am always drawn to it and love painting it. There's so much character in the canals with the bridges and old crumbling houses. We are looking forward to travelling again - post COVID - and returning to our happy place.

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Medium

oil painting

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Stretched and ready to hang

This artwork is currently stretched and ready to hang.

Rachael McDiarmid
55 artworks

Blue Mountains, Australia

Ask Rachael a question

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All art by Rachael McDiarmid

A couple of people sit with their knees on a step on a Venetian Bridge. There are a couple of boats in the water. And bright colours from the building behind them reflecting in the water.

The painting shows some old buildings with crumbling plaster with two small boats and reflections from the buildings in the water.

Image is of a painting of yellow Black Eyed Susan daises with a green background. The style is loose but contemporary.

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