Painting by Rachel Grove 15 Artworks Sold

Self in studio

Oil, Canvas, Ready to hang

92cm (W) x 122cm (H) x 2cm (D)

Certificate of Authenticity Included

Complete Your Piece With A Wood Frame

A$3,420

Arrives 18–20 Sep

Free Shipping Australia Wide · Free returns

Art Advisory Free Back tomorrow 9am AEST
Advisor
Advisor
Our advisor team
Replies within 1 business day

Have questions about this piece? Leave your number or email and we'll get back to you.

Artwork Description

Self portrait in situ- in the studio - paintings around me also convey the artists identity. As with all my paintings, I work through the composition adding narrative elements. In this instance, I sit in the studio, taking a moment to reflect. Reflect on the painting process itself, figuring out what to do next with my painting. Suggestive nuclear flowers reflect talks on the energy crisis whilst my dog surrounds me.

Artist Bio

My practice involves mainly portraiture. I tend to have different approaches dependent on what I am painting. I enjoy painting portraits both figuratively and formal as well as more expressive. A portrait can end up with thick layers of paint or can be smooth, I let the painting process to take effect. I am constantly developing in this area alternating between more abstraction and more figurative. A portrait to me is more than a mere likeness, but can delve into the many facets of self, cutting to the core of ones existence.Hence my portraits can take on many different forms and guises. I do however also enjoy painting portraits that are less about gestural mark making but more about the subject itself. It is apparent to me however that I keep returning to portraiture as this is one area that challenges me the most. Recently, my interest in climate change has dominated my approach and is a recurrent theme in my work. Often animals and strange creatures appear surrounding the figure. Again, Imagination is key in my work. I don’t get bogged down by replication, for me it is all about allowing the creative process to flow. I have the theme and I simply let it evolve.
I also paint the mundane, a documentary of sorts and when I feel the mood, a landscape.

My previous work focused on the urban landscape. Urban scenes tend to be painted using the formal elements of painting, where I am often drawn to scenes that simply catch my eye in the everyday.

My interest in war and peace and the political arena is explored through the use of stencils, patterns and colour compositions.

Commissions

Rachel's studio is in Melbourne