Acrylic on canvas, stretched and ready to hang.

Signed on the back.

There was no intention to paint anything that looked like something or someone, but a while later, after watching this piece, I saw a human face. The white fluid marks in the upper right quadrant became a nose. The black mark in the blue cavity became an eye. The horizontal orange smear became a mouth. A study in tensions between colours and contrast. The paint delivery is entirely by brush, and – there’s minor paint removal via a wet rag (and even a leave-behind ‘footprint’ of said rag (the bottom left quadrant).