Printmaking by Rob Coates 8 Artworks Sold

Captain Morgan

Reproduction Print, Paper (Requires Framing)

60cm (W) x 85cm (H) x 1cm (D)

Certificate of Authenticity Included

Complete Your Piece With A Wood Frame

A$370

Arrives 20–22 Sep

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Artwork Description

I’d learnt a few tricks when working in west oz and doing my apprenticeship with ‘uncle chip’. He told me, you can’t fight all the racists, it doesn’t work, you’ll wear yourself out…. if you really want to fuck them, tell them a story.

I was working in the Tanami desert, supposedly Australia’s most isolated mine, six hundred kilometres west of Alice springs, or if I missed the plane from Darwin, a two day drive, a decent amount of which was on dirt, with fuel stops charging between double and triple the price of diesel back in D town.
I’d only missed the flight once, it was first day back after a four month brake.
lucky for me Kingy saw the funny side and the pride of the fleet, ‘black loving’ was loaded up in town.
‘black lovin’ was an eighties series, Toyota landcruiser tray back Kingy had picked up, for a few grand, then painted matt black, before throwing on the necessary isolator, CV radio and other bullshit to make it mine spec’d and probably cost more than what he paid for the vehicle.
To this day I can’t figure out if it was a racist slur or not, ‘black lovin’ was, actually still is, probably the best vehicle I’ve ever driven… and it was somehow a total shitbox at the same time.

At the start and the end of each twelve hour day on that fourteen day swing we drove back and forth from camp to the actual mine which was seventy kilometres and took half an hour and the ascent and descent along a fourteen kilometre gravel track that went vertically down underground one kilometre, which could take anywhere between twenty minutes and two hours… the point being, I was spending a lot of time sitting in ‘black lovin’ and telling stories seemed like a good idea.
Gav was near enough to twice my size, a concrete formworker from queensland, he had a tattoo of a tall ship on one calf, it was really nice, surprisingly so for a jail tattoo. I told him the story of Captain Morgan, the bloke on the rum bottle, he was a real life character, imagine Usama Bin Laden if he wasn’t dick less and knew how to party… so basically a fan of slavery, a mass murder who drinks rum but doesn’t need absurd fairy tales to justify destruction and he sure as shit didn’t need his own death to justify raping virgins, he just liked to loot, pillage and plunder… because he could.

I thought by telling Gav this story I would be making a point about mining, turns out I was wrong. Gav wanted me to draw Captain Morgan so he could get it tattooed. I said no.

Artist Bio

Growing up in the eastern suburbs of Sydney, Coates often felt a sense of estrangement caused by the inauthenticity of his surroundings. This has become a central theme in his artwork as he sees this cognitive dissonance reflected in the broader social fabric of Australia.

After dropping out of high school, Robert was accepted into art school solely on the merits of his portfolio. But his restless nature and dislike of institutions let him to leave before graduating, setting him on a journey through a plethora of places and communities on the rugged edges of society.

His myriad careers, from being a chef in inner city Sydney, to working as a builder in Western Australia, deep underground in the mines of the Tanami desert or abseiling waterfront high-rises has taken him across the Australian continent several times. Mirroring his working life, Robert’s art has a muscular physicality and urgency surrounding his creations.

His themes deal with his feelings about Australia, it’s history, the immense beauty of it and the sadness that resonates through the land and it’s people. In his work he explores the relationship we have to our surroundings, specifically in relation to his own country, but also more broadly interrogating the interconnectedness of everything with a raw, unforgiving spontaneity.

Robert has exhibited work in Sydney, Perth and Darwin
Most recently in the 2019 Mosman art prize, and in the 2019 Korean-Australian Art Prize.

Commissions

Rob's studio is in Sydney