Other Media on paper

Signed certificate of authenticity.

Yingarna is the ancestor whose journey resulted in the creation of the bininj or Aboriginal people. Yingarna emerged from the Arafura Sea and journeyed inland. She had a large stomach containing many children and wore a headband from which many dilly bags were hung. Each dilly bag was full of yams. She met a spirit man called Wurrakkak who came from the sea in the west. After they parted she left spirit children there. Yingarna travelled to Coopers Creek and then on to the Alligator Rivers. As she travelled she left spirit children in particular places and instructed them to speak specific languages. She planted the yams from her dilly bags and told the spirit children they were good to eat. The spirit children became the bininj that have populated Arnhem Land for thousands of years.

Kunwinjku art is part of the oldest continuous art tradition in the world. Ancestors of today’s artists have been painting the rock walls of West Arnhem Land for tens of thousands of years. The traditional palette of white, red, yellow and black comes from the ochre that naturally occurs in the region, although contemporary artists sometimes choose to paint in acrylics as well. Kunwinjku artists famously paint using either the traditional rarrk hatching technique, or the more contemporary and complex cross hatching technique which has been adapted from ceremonial painting. These lines are painted using a manyilk, which is a piece of sedge grass shaved down until only a few fibres remain.

Artists at Injalak Art Centre have been painting on Arches 640gsm handmade watercolour paper since it was introduced as a medium by American art collecter John W. Kluge in 1990 when he commissioned a suite of paintings for the Kluge-Ruhe Collection at the University of Virginia, USA. It is archival quality and has an organic texture that mimics the natural surface of bark, making it an excellent alternative in West Arnhem Land where trees suitable for bark harvesting are much sparser than other areas of the Top End of Australia.

This painting needs to be framed. It’s also being sent direct from the artist at a remote art centre, Injalak Arts, in the top end. Please note there is only one mail plane a week that takes the artwork to Gunbalanya. The tracking information is then received a week later when the mail plane returns so often the paintings are delivered before we receive the tracking information. Please expect a slightly longer wait for this very special artwork to arrive.