Differences

Aboriginal and Torres Strait Islanders are not one homogenous group – they are a diverse group of hundreds of nations and clans. Within those nations, it has been estimated that around 250 languages and 600 dialects were spoken at the time of colonial invasion in 1788 in over 500 different nations, many with very different and distinctive cultures, beliefs and language.

‘Differences’ acknowledges that even though Aboriginal and Torres Strait Islander people continue to be seen as one homogeneous group, particularly in the way governments create and implement policies and programs. It is important to remember that Aboriginal and Torres Strait Islander people have commonalities but just like all Australians they have differences in opinions and views of how to improve outcomes.

The context of where someone lives, their age, culture, education and experience creates differences that must be considered to tailor solutions with them rather than coming up with blanket approaches Aboriginal and Torres Strait Islander people based on a small group consulted with in one part of the country.

When we remember our differences we can only strengthen solutions and improve outcomes.

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My name is Samantha, and I’m a proud Torres Strait Islander woman with ancestral connections to both the Eastern and Central Islands, as well as Kiwi and Scottish ancestry. I was born on the mainland on Turrbal/Yuggera Country and raised on Kaurna Yerta.

My paintings are a contemporary expression of my deep connection with First Nations peoples across many countries. Each piece reflects the relationships, stories, and truths I’ve gathered through my journey.

I’ve had the privilege of visiting over 70 communities across Australia and listening to thousands of people share their lived experiences with me. These stories nourish my soul and deepen my connection to the rich and complex fabric of this nation.

But listening also carries weight. Time and time again, I’m reminded of the ongoing inequities our people face — legacies of colonisation still embedded in our systems and institutions.

My art emerged as a form of healing. Taught to me by healers in different parts of the country, these techniques became a way to process the vicarious trauma I was absorbing while engaging with communities across areas like health and wellbeing, education, child protection, incarceration, domestic and family violence, employment, and justice.

Through repetition and rhythm, these artistic methods calm my mind and allow me to fully process what I’ve heard. Each piece is part of my healing — keeping me strong, grounded, and able to continue fighting for our rights and elevating community voices in my professional life.

Every artwork I create is inspired by a real story — a moment, a voice, a truth I carry with me — and each one stands as a powerful reminder of the collective hope we share for a better future.