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Artwork Description

Acrylic on canvas, stretched and ready to hang.

Signed on the front.

James Gleeson was a huge influence on me, in particular his later works. I came across his "The Darkening Stage" at the NGV on a school excursion back in the mid 1990s and was immediately amazed. Dark and light forms swirling, fighting, combining, mutating; liminal almost-things in an unearthly landscape. It was dark , surreal and romantic, I was enthralled.

With my tree-scapes, I sometimes feel as if I'm exploring a Gleeson-world of distorted shapes, peeling bark ebbing and flowing with colour. Perhaps gliding over a vast, ancient landscape. And I like that my art is tied back to actual trees I have seen and photographed, they are based in living nature but also, in the mind, can suggest something very primordial.

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Medium

Acrylic paint and pencil on stretched canvas.

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Stretched and ready to hang

This artwork is currently stretched and ready to hang.

#tree, #bark, #trunk, #texture, #nature, #vertical, #abstract, #black, #orange

All art by Shannon Sproule

Vertical section of an Australian native gum tree trunk. Younger layer of bark are coloured peach and light blue in a mottled pattern, with older, rougher bark sections peeling away.

(There is a small dent on the right hand edge of the canvas, see photos. It is hard to notice but worth mentioning).Against a white background, a vertical tree trunk lies flattened on the picture plane. Linear bark patterns are interrupted by a central wound, where an branch may have broken off long ago. The colour of the tree is mostly grey, with hints of brown and tan colour in the bark sections.Eucalyptus tree trunk seen flattened across the canvas, almost to the edges of the canvas. The grey, mottled bark has peeled off in two vertical strips to reveal a smooth soft yellow bark underneath.Gnarly tree bark in a loose brush style fills the canvas. The swirling and chaotic bark forms a rich and imaginative natural texture.
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