Mermaid Bouquet

Part of the Perfumed Currents collection, flowing ribbons of teal and aqua move through the canvas like currents, carrying clusters of soft blooms in their wake. The contrast between structure and drift gives it a sense of quiet movement, as if everything is gently in motion beneath the surface.
The palette leans fresh and luminous, with cool tones balanced by warm floral accents that draw the eye without overwhelming the space. There is a layered quality to the surface, where texture and colour shift subtly as the light changes.

This piece suits interiors that want a lift of colour without heaviness. It brings energy, but keeps it soft. Something a little unexpected, without feeling loud.

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Shelley set out as an artist to make people feel at ease.

That instinct was forged early, in a childhood that wasn't always gentle, and it quietly shaped every choice she made afterward. The jobs she took. The way she moved through a room. The particular satisfaction of being the person who could walk into a hard moment and make someone's shoulders soften. What started as survival became, over time, something she actively chose and eventually, something she decided to pour into paint.
Shelley's work is joyous, tactile, and hard to miss.
Her art begins where her life always has, with the quiet, deliberate choice to be a breath of fresh air for the people around her. That instinct to nurture has shaped every role she has ever stepped into: disability support, driver examiner, phlebotomist. Her favourite moment, in any room, is the one where someone breathes relief.
She paints that moment.

Raised in the Hunter Valley and painting from a home studio alongside her daughter, Shelley has found deep healing in giving her daughter the childhood every child deserves, learning, in doing so, to nurture without condition. That same energy lives in her work. It is playful, free, and full of joyous movement. She is drawn to subjects that already carry the feeling she wants to give you, the softness of a flower, the openness of the coast, so that the emotion is built in before the brush even touches the canvas.

Shelley came to acrylics after a lifetime of watercolour, oils and a childhood of illustrating her own storybooks. The discovery changed everything. Acrylic gave her the sculptural height of impasto and the soft, drifting quality of watercolour in one extraordinary medium and then she took it somewhere no one on Bluethumb had gone before.

As the family baker, Shelley had always been the one to pull out the piping bag for a birthday cake. One day she pointed it at a canvas. The result, layers of acrylic piped into her signature frosting flower forms, became the foundation of her Sweet Deception collection and a technique entirely her own. There is nothing else like it on this platform.

When her work lives in your home, you'll feel its texture and its warmth. You might catch the scent of a summer garden, or find yourself lost in a bloom made of buttercream. Whatever you feel, it was put there on purpose.