"Ring of Steel Covid"

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A$30,840

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Artwork Details

Medium Acrylic, Other
Dimensions 50cm (W) x 74cm (H) x 2.5cm (D)
Review Stars 21,272 Customer Reviews
Original Artwork
This artwork is one of a kind!
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Estimated Delivery Time from VIC

Thursday, Jun 25 - Saturday, Jun 27

Artwork Description

The artwork titled "Ring of Steel Covid" is a visual representation that conveys various symbolic elements and embodies a complex narrative related to the situation in Melbourne during the COVID-19 pandemic. The central theme revolves around control, repression, and the impact of government measures, with the art weaving together symbols of control, despair and critique of political leadership.

At its core the ring of barbed wire signifies and encapsulates the perceived restrictions and limitations imposed on the people of Melbourne. It symbolizes a sense of confinement and loss of freedom as a security cardon was placed around the city of Melbourne. This sense of entrapment if further accentuated by the bright colours under the barb wire show that strength and unity was strong within the community.

Within the artwork, a Christian cross hinting at both salvation and coercion represents the ghosts of the pandemic and also the vaccine needle, highlighting its significance in the context of the pandemic. This suggests a commentary on the role of vaccination in the ongoing crisis of life death and individual rights.

The inclusion of haunting images representing people who died by suicide as black shadow ghosts is a poignant representation of the mental health toll caused by the pandemic and related restrictions. It highlights the devastating consequences beyond just the direct impact of the virus. Representing those who died by suicide, starkly illustrates the profound mental health ramifications of the pandemic and the societal costs of lockdowns and restrictions. This aspect of the artwork brings to light the often overlooked or underreported consequences of pandemic management strategies and government cover ups.

Political commentary is rife within the piece, notably through the portrayal of Daniel Andrews, the Premier of Victoria, with communist symbolism, critiquing his administration's approach during the Covid crisis. The juxtaposition of Andrews promoting tourism visit Victoria amidst the pandemic through the imagery of him holding a baby beside a sign is particularly evocative, suggesting a dissonance in governmental policies perceived contradiction in government messaging, decision-making and communication.

An unexpected twist is the inclusion of a UFO departing Melbourne, a metaphor perhaps for the extreme desire to escape the oppressive conditions, highlighting that the situation felt untenable even to extraterrestrial visitors ‘even the aliens didn’t want to be here’ cry the Melbournians. This, along with the image of the departure point, adds a layer of surrealism, emphasizing the extraordinary circumstances faced by the city.

The photo taken from a building in the middle of the artwork portrays a negative perception of Melbourne. It could represent a commentary on the impact of the pandemic on the city's reputation or the perceived decline in its overall condition.

At the bottom middle of the artwork above the ring of steel, the portrayal of Melbourne's mayor as a witch cackling symbolize dissatisfaction with municipal leadership, reflecting a critical view of the mayor's actions and decisions during the crisis, adding another dimension to the political critique embedded within the artwork.

In sum, "Ring of Steel Covid" is a poignant, multifaceted representation of Melbourne's struggle through the pandemic, marked by symbols of restriction, critique of leadership, and the emotional and psychological toll on its inhabitants. The artwork serves as a visual discourse on the complexities of managing a public health crisis, the delicate balance between protection and freedom, and the profound impact of such events on a community's psyche and social fabric. Overall, the artwork portrays the people of Melbourne as being held captive under an illegal regime, with the barbed wire serving as a metaphorical barrier. It conveys a sense of frustration, disillusionment, and discontent with the government's approach to managing the pandemic.

Please note that the interpretation of artwork can vary greatly, and the artist's intended message may differ from individual interpretations.

Artist Bio

Simon is a Melbourne based artist in Melbourne whose latest works showcase both innovation and political commentary. His art pieces are unlike anything else in the art world, featuring a unique blend of styles and mediums that challenge traditional notions of art. Simon’s work is often politically driven, exploring themes such as social justice, inequality, and the human condition. His art is not only visually striking, but also thought-provoking, encouraging viewers to reflect on their own beliefs and perspectives. The use of light allows the works to completely change the look and feel of the piece. As if you were there. Some of Simon’s art is to be viewed and palpated (touched). With his bold and innovative approach to art, Simon is quickly becoming a figure in the contemporary art scene in Melbourne. All art work is on reclaimed canvases.
Painting and sculpturing for the last 10 years. Haven’t entered any competitions only sold privately.

Commissions

simon's studio is in Melbourne