Painting by Simone Annis 49 Artworks Sold

Lyneham Motor Inn

Mixed Media, Canvas, Ready to hang

120cm (W) x 90cm (H) x 4cm (D)

Certificate of Authenticity Included

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A$1,110

Arrives 18–20 Sep

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Artwork Description

The Lyneham Motor Inn is iconic in a disappearing 1970's Motel Inn kind of way, and I've been watching its decline since about then. I don't think it ever was a building with a heyday. I think it might be low-cost student accommodation now. You might be disappointed if you arrived from overseas to study at the prestigious ANU and found yourself ensconced in the Lyneham Motor Inn. I imagine it's awful inside. Or maybe it's just peachy: chenille bedspreads in apricot, is what I'm picturing. I keep expecting to turn around and find the Inn suddenly replaced by another block of flats. In the middle of the day, the shaped conifers out the front look spectacular against the pink of the building and I like the addition of the graffiti to the side wall. 
In homage to the fading glory of both the Motor Inn and the picture postcard, this painting was an experiment in highly saturated techno-colour. 

Artist Bio

I am an artist who has run an e-bike business from home for the past 15 years while raising three children and loves most things about living in the “People’s Republic of O’connor” (Inner North, Canberra). I graduated with an MBA (Strategic Operations Management) from Charles Stuart University a long time ago and a BA in Visual Arts (Painting) from the Australian National University a very, very, long, long time ago.
There are a couple of underlying, reoccurring and interrelated themes that inform my art practice and bubble to the surface of my paintings (both implicitly or explicitly) from time to time.
The first of these themes is the idea of ‘desire lines’. In urban and transport planning ‘desire lines’ refer to the unofficial paths that collective feet make through the landscape over time. These well-trodden paths are both subversive, being illicit, and conversely, the path of least resistance. Desire Lines are paths that form themselves and are evidence of both humanity and the impact of humans in the environment.
Secondly, I use the landscape, and elements within the landscape, to explore what I’m thinking about ‘in the moment’. The moment (or muse) can include an emotion or idea, such as gratitude to a friend or joy in life’s journey.
Often, the inspiration for a painting, is a personal reaction to the zeitgeist and current bigger picture concerns.
A third related theme is an interest in, and love of exercise, and being outdoors.
Finally related to all of the above, it's impossible to paint landscapes, or places or people (in fact anything) without having some awareness in and reaction to climate change and our role in it, so as inferred above, this is also a frequently occurring theme throughout my paintings. I hope my paintings inspire others to actively explore the world around them, as well as their relationship to it.

Commissions

Simone's studio is in left hand side