Painting by Simone Annis 49 Artworks Sold

Reid Eucalypts

Mixed Media, Canvas, Ready to hang

45cm (W) x 91cm (H) x 4cm (D)

  • Original Ā· Handmade
  • Signed by the artist

A$590

Artwork Description

I am currently working on a series of paintings about urban green space, particularly street trees that I (and others) know and love, and other little snippets of old, or un-noticed Canberra.
This avenue of trees was planted near the Reid Tafe (before the building was there) in anticipation of a railway line being built in the centre of Canberra. The line and the platform was never built, but the trees remain and are a beautiful little oasis close to the city.

Artist Bio

I am an artist who has run an e-bike business from home for the past 15 years while raising three children and loves most things about living in the ā€œPeople’s Republic of O’connorā€ (Inner North, Canberra). I graduated with an MBA (Strategic Operations Management) from Charles Stuart University a long time ago and a BA in Visual Arts (Painting) from the Australian National University a very, very, long, long time ago.
There are a couple of underlying, reoccurring and interrelated themes that inform my art practice and bubble to the surface of my paintings (both implicitly or explicitly) from time to time.
The first of these themes is the idea of ā€˜desire lines’. In urban and transport planning ā€˜desire lines’ refer to the unofficial paths that collective feet make through the landscape over time. These well-trodden paths are both subversive, being illicit, and conversely, the path of least resistance. Desire Lines are paths that form themselves and are evidence of both humanity and the impact of humans in the environment.
Secondly, I use the landscape, and elements within the landscape, to explore what I’m thinking about ā€˜in the moment’. The moment (or muse) can include an emotion or idea, such as gratitude to a friend or joy in life’s journey.
Often, the inspiration for a painting, is a personal reaction to the zeitgeist and current bigger picture concerns.
A third related theme is an interest in, and love of exercise, and being outdoors.
Finally related to all of the above, it's impossible to paint landscapes, or places or people (in fact anything) without having some awareness in and reaction to climate change and our role in it, so as inferred above, this is also a frequently occurring theme throughout my paintings. I hope my paintings inspire others to actively explore the world around them, as well as their relationship to it.